Brubeck's 'Time Out' listeners


Been tweaking my system (mostly room and rack) and heard something for the first time.

On the 'Take Five' track, when Joe Morello goes into his drum solo, am I hearing a reflection off of Eugene Wright's bass? It's right were Wright is playing. It's ever so delayed, but *there.*

Yikes!

I never would have thought my system (with tweaks suggested by you guys) could resolve something like that.

To those who are familiar with the recording (20 bit remaster) let me know!
mprime
Mprime-I'll have a listen tonight or tomorrow and let you know what I hear..........
I´ll give it a listen. Have been looking lately for this kind of information to keep improving my system. Will comment on my findings as well.
Mprime, if you listen closely just after the finish of the Desmond solo (1:50) you'll hear a distinct change in the tempo and what sounds like a phase shift - even the placement of the instruments in the soundstage shifts enough to let you know the recording of these two solo's took place in two different sessions.

Sol, I think you got it - it's about finding a reference point to evaluate equipment performance.

Mbhcid, yep, got that. It is quite subtle, but I don't know enough about the sound implications editing process to have linked the two. Interesting, because the musicians who record at my parents house have fallen into two camps. One of the pianists will play a piece two or three times straight through and pick the best overall performance for the CD. Even if there are 'mistakes,' he feels it's the works overall tennor which conveys what he feels is most important. He loaths the idea of splicing different parts together. His approach may be contrasted against a certain Duo, who will perform a work many times, and often, just a segment of that piece many times. They then like to splice together the 'best' sub-performances into an overall work. While there are stylistic differences which emerge between the two recording styles, I've never listened critically to see if this technical approach leaves a fingerprint. So you've given me something to investigate further. Cool.

Best to all,
Had a listen last night and even got the girlfriend involved-her hearing is much better than mine.
To our ears the clearest "shift" is indeed at 1:50 although the weight of the piano and change could be considered to be intentional as part of the recording-maybe,maybe not.
Probably not due to the age of the recording.
During the drum solo there are again as described above quite a bit going on,certainly the odd noise which isn't clear (I had to crank the volume up quite a bit to hear what Eileen could hear)-we decided most of these were probably finger noises on the bass or something.
Anyway I certainly never quite noticed that change at 1:50 before as being a tape splice.................