As odd as this is going to sound there is some correlation between how good the recordings are and your system it is played on as well as the room it is in. As I am in the process of building a room for my system, the living room is the only place to put my current system. As an engineer, not an audio engineer, I like to know how things work and try various alternatives to see how things react. I currently have CDs that is very difficult to listen to due to instruments not sounding like the instruments that are playing and the harshness it creates. It is as non-emotional as it gets. So one day a friend came over and brought an active crossover with him. We played for several hours and the crossover eliminated the room problems and allowed us to alter the upper frequency issue I was having. It made ALL of the CDs I had sound more than listenable. There were things on the recording that would never have been heard otherwise. It was amazing. The Scheherazade SACD, that sounded all congested and not much life, had all of its instruments laid out there in a wide soundstage. It made the CDs that a friend of mine recorded in his basement and used software to eliminate the outside occasional noises sound more cohesive. It made the instruments sound like the instruments that we know should be playing. It was the most amazing altering of the preconceived notion I had about CDs and their recordings. All I am saying is that it is not entirely the recordings issue that is causing it to sound bad, as hard as it is to believe that. As with everything else in the audiophile world there are no absolutes.
The problem with the music
There are lots of people who frequent this site that have spent significant amounts of money to buy the gear that they use to reproduce their music. I would never suggest that you should not have done that, but I wonder if the music industry is not working against you, or at least, not with you.
For the most part studios are using expensive gear to record with, but is it really all that good? Do the people doing the recording have good systems that can reproduce soundstage, detail and all the other things that audiophiles desire, or do they even care about playback?
I know there are labels that are sympathetic to our obsessions, but does Sony/Columbia, Mercury, or RCA etc. give a rats #$%&@ about what we want?
Recordings (digital) have gotten a lot better since the garbage released in the mid 80's. Some of them are even listenable! BUT lots of people are spending lots of money to get great music when the studios don't seem that interested in doing good recordings. Mike Large, director of operations for Real Worl Studios said "The aim of the music is to connect with you on an emotional level; and I'd be prepared to bet that the system you have at home does that better than any of the systems we make records on."
Do recording engineers even care about relating the emotion of the music, or are they just concerned about the mechanics?
What do you think, and can/ should anything be done about it?
For the most part studios are using expensive gear to record with, but is it really all that good? Do the people doing the recording have good systems that can reproduce soundstage, detail and all the other things that audiophiles desire, or do they even care about playback?
I know there are labels that are sympathetic to our obsessions, but does Sony/Columbia, Mercury, or RCA etc. give a rats #$%&@ about what we want?
Recordings (digital) have gotten a lot better since the garbage released in the mid 80's. Some of them are even listenable! BUT lots of people are spending lots of money to get great music when the studios don't seem that interested in doing good recordings. Mike Large, director of operations for Real Worl Studios said "The aim of the music is to connect with you on an emotional level; and I'd be prepared to bet that the system you have at home does that better than any of the systems we make records on."
Do recording engineers even care about relating the emotion of the music, or are they just concerned about the mechanics?
What do you think, and can/ should anything be done about it?
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- 51 posts total
- 51 posts total