Given that live music and recorded music are two different things,given that no two reproduction systems will sound exactly alike,I offer this suggestion:
Let the musicians control as much of the process as they can. Write it into the contracts that the musicians must approve,in writing,the master copy. At least,we can be satisfied the performers/conductors were not unhappy with the master copy.
I've lost track of the number of recordings I've heard where an orchestra and a soloist play it through once for rehersal and then record and release the second playing when,in truth,with a full day of rehersal before the recording,it would have been a good performance(irrespective of the quality of the recording.).
Let the musicians control as much of the process as they can. Write it into the contracts that the musicians must approve,in writing,the master copy. At least,we can be satisfied the performers/conductors were not unhappy with the master copy.
I've lost track of the number of recordings I've heard where an orchestra and a soloist play it through once for rehersal and then record and release the second playing when,in truth,with a full day of rehersal before the recording,it would have been a good performance(irrespective of the quality of the recording.).