Srajan is a good writer IMO, but you have to sift through a tremendous amount of technical hyperbola to get any discription of the sound. Did anyone see any review of music or particular tracks that gave examples of the speakers strengths?
Granted Part deux is on the way, at which time I hope he delves into the musicality of these speakers. I want to hear more about the imaging, soundstage (depth/width), air around the instruments, width and heighth of the sweet spot, transparency, how difficult they were to position and whether they're halographic. How do they handle vocals, piano, drums & guitar? He says they sound like a live performance... on the surface that tells me they are a transparent window into the peformance and instruments; however that's not the full picture, because I've seen live performances that sounded like walls of distortion. See 1980's indoor arena concerts for further details (Omni Atlanta).
Technology is great, so is innovation... but I'm most interested in how they sound in practical applications.
Granted Part deux is on the way, at which time I hope he delves into the musicality of these speakers. I want to hear more about the imaging, soundstage (depth/width), air around the instruments, width and heighth of the sweet spot, transparency, how difficult they were to position and whether they're halographic. How do they handle vocals, piano, drums & guitar? He says they sound like a live performance... on the surface that tells me they are a transparent window into the peformance and instruments; however that's not the full picture, because I've seen live performances that sounded like walls of distortion. See 1980's indoor arena concerts for further details (Omni Atlanta).
Technology is great, so is innovation... but I'm most interested in how they sound in practical applications.