regarding the nearfield listening discussion above: I'm not sure if there hasn't been this level of discussion on A'gon previously, or if I just missed it. I frankly thought my rooms were already set up in nearfield; but I decided to experiment based on Nsgarch's comment in the first reply above:
I have 2 "reference" systems in different dedicated rooms. One room is 14x22, with Totem Mani-2s driven by B&K M200 Sonatas (4 of them biamped), Musical Fidelity pre. My seating position was about 12 ft from the Totems which are 4 1/2 ft from the wall. I moved my seat in 2 ft so I'm now 10 ft from the speakers (measured from divers to my ears). The result was a profound improvement in the definition, and depth of the sound stage. My next step is to try to move my seat closer still, but that requires more significant furniture mod's, so I need to find time for that.
The other room is a larger, irregular room with the main section being a virtual square 16'x16', and another smaller square section 12x12 off-set on one corner. I have Von Scheikert VR4gen III's driven by Conrad Johnson dual MF2100s in vertical biamp, and a Dared tube preamp. The VR4s are set up on a diagonal line on one corner, about 3 1/2 ft from the wall, and my seating position was about 13 1/2 ft from the speakers. I moved my seat 3 ft closer to the speakers with similarly profound results as the other room. In this room, I anticipate I'll have to reposition the VR4s closer together as I move my seat in still more, but will continue to experiment.
A few additional points I would make about this change: 1) both of these systems sounded wonderful before I made the change, and I had spent a great deal of time and care in optimizing the speaker placement. I simply didn't consider moving my seat that close previously as it seemed counter-intuitive to me. 2) ALL I have done so far is move my seat closer. I haven't tried any further tuning of the speaker position (ie moved them closer together), 3) In both rooms, even though they're not exactly small, the repositioning of the seating solved some "arangement issues" I previously had and make the rooms more aesthetically appealing as well as sonically appealing.
(BTW, were talking not more than 8 feet away from the speakers +/_)
I have 2 "reference" systems in different dedicated rooms. One room is 14x22, with Totem Mani-2s driven by B&K M200 Sonatas (4 of them biamped), Musical Fidelity pre. My seating position was about 12 ft from the Totems which are 4 1/2 ft from the wall. I moved my seat in 2 ft so I'm now 10 ft from the speakers (measured from divers to my ears). The result was a profound improvement in the definition, and depth of the sound stage. My next step is to try to move my seat closer still, but that requires more significant furniture mod's, so I need to find time for that.
The other room is a larger, irregular room with the main section being a virtual square 16'x16', and another smaller square section 12x12 off-set on one corner. I have Von Scheikert VR4gen III's driven by Conrad Johnson dual MF2100s in vertical biamp, and a Dared tube preamp. The VR4s are set up on a diagonal line on one corner, about 3 1/2 ft from the wall, and my seating position was about 13 1/2 ft from the speakers. I moved my seat 3 ft closer to the speakers with similarly profound results as the other room. In this room, I anticipate I'll have to reposition the VR4s closer together as I move my seat in still more, but will continue to experiment.
A few additional points I would make about this change: 1) both of these systems sounded wonderful before I made the change, and I had spent a great deal of time and care in optimizing the speaker placement. I simply didn't consider moving my seat that close previously as it seemed counter-intuitive to me. 2) ALL I have done so far is move my seat closer. I haven't tried any further tuning of the speaker position (ie moved them closer together), 3) In both rooms, even though they're not exactly small, the repositioning of the seating solved some "arangement issues" I previously had and make the rooms more aesthetically appealing as well as sonically appealing.