Jazz for aficionados
One of the most unique sounds in jazz, Toot's Thielemans' playing is incredible on this recording. One of leader Bill Evans' least talked about records, but definitely one to have. http://m.youtube.com/watch?v=iOrFAxdiCnw |
O-10: The Johnny Smith performance was great. I listened to a few more of his. Misty was one. His playing was flawless to my ear. However, I have been trying to figure out why some music, even if the music is perfectly played, just seems to lack something. I think I know what it is now. Dynamic Range and Tension. I hope these descriptive terms pass muster with the Frogtman and The learsfool. I would try this Moonlight In Vermont: http://www.youtube.com/watch?v=6ikl8pnHz6k and you can also youtube Vermont by Billie Holiday. Her voice is almost gone, but not quite. It will grab you. These youtube thingys are getting to be habit forming to me. The make it so easy to compare artists. I listen to the Emily Remier cut, and then off to the side was a clip of Wes playing with Monk and Coltrane. Although I didn't see or hear Coltrane. But the difference was striking. Of course not being able to match Wes and Monk is nothing to be ashamed of. It is very sad that she died so soon. The girl on the B-3 is great also. I hope she is still with us. What a lot of these folks need is a cooking rythm section. Cheers |
Classic case of "different strokes for different folks". To me, there is no comparison between the Johnny Smith and the Houston Person versions of Moonlight In Vermont. The Smith is perfect in it's restraint and simplicity and in the soloists's ability to play the "changes" while NEVER letting the listener forget the melody of the tune, thus creating a mood which is perfect for the tune....moonlight in Vermont. Very tasty playing. The Person version, for me, has TOO MUCH and gratuitous "dynamic range and tension" (good terms, Rok). Person doesn't even make all the changes (one loses the tune) and does a lot of meandering with way too many fast note flourishes that not only are not necessary, but are inappropriate for a tune like this IMO; especially when they are played with blues inflections and note choices. Huh?! Are we outside enjoying the moonlight, or are we in a Baptist church? While Johnny Smith surprises with an occasional and rare flourish of notes, Person creates a feeling of "enough already". |
The Frogman: They, Smith & Getz, seemed to be focused on playing 'moonlight in vermont'. Almost, but not quite, note for note as a singer might sing it. I think Person and Defrancesco just used it as a good place to start. Although Person went further away from the melody as the tune progressed, I never forgot they were playing 'Moonlight in Vermont'. To me, this is the genius of Jazz. Besides, Defrancesco was there. On his Cd 'Boppin' at the Bluenote', Jon Hendricks does the Lerner & Loewe tune 'Get Me To The Church On Time', from My Fair Lady. When he finished he said, "I bet THEY didn't know THEY wrote THAT!! The THEY being, Lerner & Loewe. The THAT being his 'take' on 'church on time'. Cheers BTW, there are much worst places to be musically, than a Baptist church. Some good stuff there. |
