I'm not a fan of using drum recordings since the bass drum will have one note pitch so will not offer the differentiation I look for.
Good point (although drum sounds are much more complex in their sound compared to typical instruments that follow harmonic rules). Drums do let you check the "transient" response - as this can be just as much of a problem in the bass as frequency response (although the two are tightly related because a high Q resonance of an underdamped speaker will create a broad frequency response hump as well as additional cycles of the woofer after the music has stopped, and although this broad hump can look mild when viewed with the eye it is actually very easily audible)
The key with drums is to listen for their own timbre (after the hit) and then the room echo (from the recording location) as well as your own listening room. If you can't hear this clearly (you don't hear the space around the drums) then you may have masking from an underdamped bass response... either from your speaklers or ringing from room modes.
Masking works upwards: Basically low frequencies wipe out your ability to hear higher frequencies - so if they last too long (resonance) or if they are overly loud then you'll miss stuff off the recording - simply put you won't hear it.
This is why warm resonant sound can pretty much fix a bad recording...it just lathers everything in resonance and hides imperfections that you might normally notice.