Bose 901's with "highend ancillaries"??


I STILL see Bose 901's are available here and maybe new after umpteen years in existence and yet I have still never hear a pair (unless you count the occasional high school concert which used the professional version).

Has anyone ever used these with "highend" gear, and if so what was the result??

Just curious if there is actually something good about the speaker other than the marketing the Bose Corporation has done over the years as they have never been inexpensive and even now hold their value pretty well.

And while I ma sure one can do better for the $$$ etc etc I am only looking for comments on how they actually SOUND - strengths and weaknesses
jrinkerptdnet
Bdp24,

If you can find them, I commend your attention to the many reviews of 901 speakers that praised them when they were first introduced. Do you remember Bert Whyte of Audio Magazine? He was and is held in very high esteem in the audiophile community and his review of 901s comes to mind as a good benchmark for the reception of the product at that time. While your assessment is certainly interesting, the preponderance of contemporary opinion and the undeniable market penetration of the product in the vastly larger buyer community of that day belie it.
So now you know why TONE AUDIO kept their reviewed pair BOSE 901 SERIES 6 MK2's.........REFERENCE GEAR + THE "LATEST" 901's = AMAZING!...TO THEIR EARS ONLY!!
I'm not the first to say that the basic premise of the 901 is fatally flawed. Bose determined that the sound reaching the audiences ears in a concert hall was 11% direct from the stage and 89% after reflecting off the walls, floor, and ceiling of the hall. So the 901 imitates that ratio with one forward facing driver and eight rear firing. Yeah, but a recording of a performance in a concert hall already contains the direct and reflected sound reaching the recording microphones, from different directions and at different times. It's more than a little simplistic to think you can simulate the 11%/89% concert hall direct/reflected ratio through two speakers playing recordings made in the type of room you're trying to simulate. You're actually doubling the direct/reflected effect with the 901, you see? You would need to make a recording in an anechoic chamber, one mic for the direct sound and multiples for the reflected. Then play the recordings on a system that mirror images the recording mics---one speaker facing the listener and eight firing from the sides, back, and ceiling.

And what about a recording made in a studio? Here, the direct/reflected premise is more than meaningless, it's completely wrong! Is it any wonder that the 901 does not, in fact can not,image?

Then there is the matter of trying to reproduce bass through 4-1/2" drivers! Not to mention high frequencies!! Nope, sorry---can not be done. One listen to a 901 will confirm that.
Which is why those with "high end" Bose systems point the front of the speaker at the wall.
Probable why pro installs from ceilings with a LOT of open space behind can sound pretty good if done well to take venue acoustics into account.

Its hard to have that much space behind speakers in most homes and still get the overall acoustics right.

Pointing the front o the wall might be a better option. Dunno. Never heard a home Bose audition good enough to get my interest. In general, I find Bose stuff cheaply made and overpriced, a cash cow for Bose. 901s not so bad in teh right situation maybe. You never know what will work best in each unqiue case/installation. Money spent alone won't do it.