Orpheus said,
"Seriously, did anyone try and focus on McCoy Tyner, and Elvin Jones when listening to MFT, by Trane. I promise you will hear it differently."
In the many, many times I've listened to this cut I've focused, (besides on Coltrane and the "group"), Elvin and Davis, Davis and Tyner, Davis and Coltrane, Coltrane and Elvin, etc.
This one tune helped me considerably in developing a better sense of time. Which, as a percussionist is kind of important. If you're a musician, (even a hack like me) if you don't have a good sense of time you will suck.
I still love both versions. If I had to sum it up I would say that Coltrane's version opened up and helped develop my sense of time while Meldau’s version opened up and helped develop my sense of expression.
Both are important.
-- Bob
PS - Has no one watched "The Drummer" short I posted?
"Seriously, did anyone try and focus on McCoy Tyner, and Elvin Jones when listening to MFT, by Trane. I promise you will hear it differently."
In the many, many times I've listened to this cut I've focused, (besides on Coltrane and the "group"), Elvin and Davis, Davis and Tyner, Davis and Coltrane, Coltrane and Elvin, etc.
This one tune helped me considerably in developing a better sense of time. Which, as a percussionist is kind of important. If you're a musician, (even a hack like me) if you don't have a good sense of time you will suck.
I still love both versions. If I had to sum it up I would say that Coltrane's version opened up and helped develop my sense of time while Meldau’s version opened up and helped develop my sense of expression.
Both are important.
-- Bob
PS - Has no one watched "The Drummer" short I posted?