Popular classical orchestras already have contracts and already pressed into vinyl -- definitely not the old vintage 50's way, but works for them in terms of monetary rewards. Not popular classical orchestras won't have large enough market no matter how good they are unless they join with world known solo maestros either pianist or violinist. You can also promote such into audiophile community via magazines and CES, but need lots of funds for advertisements.
With jazz it's a-bit simpler, but getting around with world known performers also not easy.
Let's say if you make 500 copies of certain band or orchestra with perfect analog recording the old vintage 50's way sold at $35 each, you won't profit.
With jazz it's a-bit simpler, but getting around with world known performers also not easy.
Let's say if you make 500 copies of certain band or orchestra with perfect analog recording the old vintage 50's way sold at $35 each, you won't profit.