Anything engineered by Peter McGrath (associated with Wilson Audio and also works independently).
is there a market?
Is their a large enough market within the audiophile community and music lovers alike to start a recording company that recorded primarily jazz and classical music the right way? Is there a chance to capture the great orchestras of america in a totally analog process from start to finish just like they did back in the fifties? I would think many orchestras would jump at the opportunity to be part of the effort to be recorded like the great orchestras were in the mid 20th century. Is there still equipment in existence and engineering know how to make this happen? There certainly is a renewed interest in vinyl and the sound it produces even if it is done digitally. How about the real thing?
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Well excuse me. I was just trying to dissuade you from bankrupting yourself and anyone who joins you. You clearly have no idea what recording the best orchestras with the best 1950s technology and then pressing the albums using the best equipment from the 50s and maintaining the highest quality standards would cost. From what I have read about the state of the jazz and classical music market, your chances of making a profit are pretty close to nil. Many new classical recordings sell in the hundreds or low thousands of copies. But please don’t let me stop you from living your dream. Gather as much money as you can and jump right in. There are too many audiophile record labels for me to list, but here is a link to a list entitled, " A Short Survey Of Audiophile Record Labels" that contains many record labels already trying to provide audiophiles with the best sound possible: http://www.theabsolutesound.com/articles/a-short-survey-of-audiophile-record-labels-tas-197-1/ There are others. |
folkfreak- Yarlung was one of the labels I was thinking of in my previous post-they also do vinyl releases- none appear to be full orchestras, but more small scale stuff, though some classical, e.g. Janaki String Trio. I had heard the tape courtesy of Myles Astor and bought the record because it was interesting. It's been a long while, but Lyrita did a great job some years ago with a 20th Century British classical catalog. The classical market has probably narrowed since then. But it was a nice change from some of the usual warhorses. That catalog was far more than just the Malcolm Arnold record that HP touted. They were well made records (Decca or Nimbus pressed as I recall). |
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