Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
The Frogman:

*****I suspect Bowie was deadly serious about what he played in that clip*****

OMG!!

Bowie: Read my post to Learsfool.

As far as the conflict between Wynton and other Jazz players, I think the wiki page did mention something about 833,000 dollars per, U.S., for the Lincoln Center gig. That's called cutting to the chase. All else is moot.

Cheers
Lets all be careful when using the word "Cluture". Rap does not reflect American cluture, if that even exists. Rap reflects the depravity and spiritual poverty of inner city America. Whenever it is played / heard, it creates an aura of great sadness.

Cheers
Todays playlist:

Roscoe Mithcell -- SOUND
(Lester Bowie on Trumpet)

I listened to this, more as an assignment or homework, than for any other reason.

Normally when I listen to music, sometimes my wife will shout from the living room, one of two things, "play such and such"(usually Brubeck) or "Turn it up".

Today she came into the room with a puzzled look on her face and asked "what's wrong?" She thought maybe the FM station was on the blink, or the CD player had malfunctioned. I said nope, that's the future of Jazz.

This is not to be critical of Bowie. It's not him, it's the 'music' they choose to play. I tried hard to 'get it'. I will concede that maybe it's just me. Perhaps it's all going over my head. If so, I will try to be content with my be-bopers.

I had to listen to Mingus and McCann afterwards, just to get all that pollution outta my head. Could not believe that I was still in the same 'genre'.

This is NOT a must have. This is NOT even an ought to have. When you see the statement 'not for everyone' in reviews, take heed and beware. But it is aptly named! That's what you get, sound!

Cheers
I personally never held Bowie's music up against other trumpeters. He didn't seem that interested in playing like other trumpeters, even the ones he quotes. The musicians he plays with seemed to enjoy playing with him, He was very well respected by most musicians, and a lot of people got something out of what he did do.

The trumpeter Malachi Thompson says in his liner notes to one of his cd's that he was warned by Bowie, Joe Henderson , and Freddie Hubbard not to be a copy cat. He then tells of a time after a solo on Killer Joe, Quincy Jones asked, " Whose the kid? He sounds like Freddie Hubbard.....after taxes!" Everybody laughed, but later the other trumpet players in the band, Cat Anderson, Nat Adderley, and Donald Byrd encouraged him to keep developing his sound.

It was expected to move the music forward, to not sound like others. Is this not still true today?

As far as RAP. It seems to be all rhythm and lacks harmony. I am unable to understand it, but I don't think I'm supposed to.:)

Free Jazz also lacks a certain basic music devise, tension and release. It mostly builds tension and becomes difficult to listen to, until you learn to enjoy constant tension. Most give up.