oleschool,
Been following this thread reading the expected mix of suggestions.
I replaced the footers on my VPI Classic with the Mapleshade brass footers. The table is on a 4" maple slab with the rubber/cork blocks supporting the slab.
The Mapleshade philosophy is correct/incorrect as the rest of the recommendations, but I chose it because of another concern.
The stock footers IMO ruin the look of the table. The stock footers look cheesy and cheapen the appearance of an otherwise sharp looking table design. I paid with my hard cash, so I expect my gear to sound AND look good.
Sonic improvements are subtle and subjective, but can be noticed
if you can A/B a music passage for 15 seconds with the stock setup then IMMEDIATELY place footers and the 40 pound slab underneath the table and play that same passage. In other words,
its kinda tough to really hear dramatic results. I THINK there is some sort of added overall "realness" to both ends of the sonic spectrum particularly tightening up of the bass notes of an upright jazz bass or kick drum in a rock tune. Pricey, but so is anything in this hobby.
What did you end up doing?
Been following this thread reading the expected mix of suggestions.
I replaced the footers on my VPI Classic with the Mapleshade brass footers. The table is on a 4" maple slab with the rubber/cork blocks supporting the slab.
The Mapleshade philosophy is correct/incorrect as the rest of the recommendations, but I chose it because of another concern.
The stock footers IMO ruin the look of the table. The stock footers look cheesy and cheapen the appearance of an otherwise sharp looking table design. I paid with my hard cash, so I expect my gear to sound AND look good.
Sonic improvements are subtle and subjective, but can be noticed
if you can A/B a music passage for 15 seconds with the stock setup then IMMEDIATELY place footers and the 40 pound slab underneath the table and play that same passage. In other words,
its kinda tough to really hear dramatic results. I THINK there is some sort of added overall "realness" to both ends of the sonic spectrum particularly tightening up of the bass notes of an upright jazz bass or kick drum in a rock tune. Pricey, but so is anything in this hobby.
What did you end up doing?