Loudspeakers have we really made that much progress since the 1930s?


Since I have a slight grasp on the history or loudspeaker design. And what is possible with modern. I do wonder if we have really made that much progress. I have access to some of the most modern transducers and design equipment. I also have  large collection of vintage.  I tend to spend the most time listening to my 1930 Shearer horns. For they do most things a good bit better than even the most advanced loudspeakers available. And I am not the only one to think so I have had a good num of designers retailers etc give them a listen. Sure weak points of the past are audible. These designs were meant to cover frequency ranges at the time. So adding a tweeter moves them up to modern performance. To me the tweeter has shown the most advancement in transducers but not so much the rest. Sure things are smaller but they really do not sound close to the Shearer.  http://www.audioheritage.org/html/profiles/lmco/shearer.htm
128x128johnk
 I started with modern dabbled in vintage. I wanted to understand the past and learn more about loudspeaker design by exploring the past. I never went into collecting vintage with the mindset that it was better only that it was interesting. I would use my audiophile systems as mains and mostly ended up listening alone. The Shearers my Lansings and WE 13As even my Racon in mono make people dance sound more like real music. I have loudspeakers about from much of the history of cinema and many other famous home designs. I also have some of the most modern. My personal hands on experience with designing manufacturing, collecting, restoring, studying loudspeakers and loudspeaker design made me ponder the ? And I honestly still think we have lost much of the ability to innovate and are more just evolving loudspeaker tech. And much of what the past did so so well has been forgotten..
We keep perfecting the wheel too. Once something basic is discovered, it's discovered.
But, yeah, the spirit of creativity is down everywhere. Rudimentary computer digital times. Sucks.
I don't think we have lost the ability to innovate- the goals and priorities are different. When those magnificent early theatre sound systems were designed, they were addressing the needs of an entire industry transitioning to the "talkies" and trying to accommodate the space limitations of existing theaters. But, the resources were there and the top companies were competing to develop product. 
Today, look at big data- the ability to collect and analyze massive amounts of data and apply it- to everything from serving targeted advertising to national security- is where the action is, and there are no doubt innovations in that field.  The trickle down to consumer level products- in the form of "smart" phones and appliances, as well as interfaces that are guided by past user selections is what we get, not necessarily better audio. (Though things like DSP have made woofer set up for modest home theatres pretty easy).
Materials science and acoustic models (aided by computers) may have improved, but some of the materials- copper in field coil speakers- mercury vapor tubes, or even the materials and tooling for most vacuum tubes are expensive or hazardous or obsolete. (Look at what happened during the "vinyl boom"- suddenly there was a need for record presses-and none had been made for years; now, those presses have been salvaged, rehab'd and new ones are being built simply because there is demand).   
I'm fascinated by the early days of audio. I'd love to see and hear your private museum at some point John. 
One book worth reading although it isn't strictly technical, and has some gaps- is Cowboys and Indies. Dumb title, but it is essentially the history of reproduced sound and the emergence of the industries and businesses that depended on it (music publishing, record companies and trends in listening behaviors from the 19th century to date). In the process, there is some discussion of the changes in audio technology and how that related to cultural changes at the time.