Speakers in the 5-6K$ region & their components


Hi all,

This is my 1st post here.
I'm a long time audio enthusiast and even worked in high-end audio sales for a few years a while back, but I've been out of the loop for a few years now. I'm looking now for a new pair of speakers in the 5-6K$ range to replace my current Merlin TSM. The type I'm looking for is a 2 way 6-6.5'' speaker, preferably a floorstander. I know many brands and models and went through a lot of speakers in the past, so my question is a technical one:

I'm looking only for speakers in this range which use high end componenets. which ones are there?

I've already done some research, so here are a few examples of what I mean:

Proac in its response range is using Scanspeak D2604 tweeter (48$/unit).
PMC in its "i" series - Seas 27TFFC (45$/unit).
Spendor, "A" series - Seas 29TFF/W (52$/unit).

I can go on and also bring examples of the woofers used and more speaker brands, but I think the picture is clear. These are all quality units of well acclaimed manufacturers, but are by no means high-end units. Which are?
My research brought me this far to the following (All in my price range):

Kudos audio Super 10/Super20: Seas T29CF-002 tweeter (330$/unit) + a version of Seas W18NX (196$/unit)

Marten Form Floor: Accuton C173-6-095 woofer (over 300$/unit) + a ribbon tweeter I was unable to recognize (anyone?)

Merlin VSM (as second hand only): Dynaudio D330/A tweeter (over 400$ per unit) + Scanspeak 18W/8545-01 (173$/unit).

BTW, my current Merlin TSM is using Morel MDT30 tweeter (80$/unit) + Morel MW166 woofer (124$/unit) and sounds wonderful to my taste, despite a considerable lack of bass (being a sealed- box design). 

So, given all that, does anyone have any more ideas for speakers I should consider?
roylindenfeld
Relatively inexpensive parts does not mean poorly designed. The likes of the SB Acoustics woofer in the GT is not known as the most top tiered builder,  but I have found their quality consistent and very good indeed. 
Timlub,

Fully agree on the SB drivers I too find them to be excellent quality and very consistent.  I designed a Kit for SB Acoustics as well.

http://pbnaudio.com/speakers/speaker-kits/xmax

Good Listening

Peter
@timlub

+1 !!

Look at the LM-1 for instance. The drivers are about $90 / speaker, but I challenge anyone to find fault with the crossover design, or the sound actually, and unlike all commercial speakers, the design docs are open to the world.

I’ve also seen commercial makers use inexpensive drivers with extremely good integration and balance, and some use expensive diamond tweeters and end up with.... well, not so good. :)

By the way, the LM-1 uses the same tweeter as found in some Krell, older Magico and Sonus Faber designs. It’s not an expensive tweeter at all, but damn nice. :-)

By the way @dgarretson - I did use Clarity ESA's in the recommended crossover. :-)  I have a feeling you and I should have some drinks if you are in the San Francisco area, we'd get along just swell. 

Best,


Erik
Wow! I didn’t expect such a big (and fruitful) discussion. Thank you all for your comments, seriously!
In any case, here are a few answers to some of your comments:

About DIY: I have nothing but profound appreciation to people who can build their own speakers, and have no doubt that when you "cook your own food" you have much better control over the end result, and can make up your own mind regarding if and how to compromise or cut corners. However, this isn’t for me. I don’t have the patience, the tools or the know-how. Maybe someday after retirement...

About brands who make their own drivers: I have mixed feelings about those, and after many auditions over the years came to the conclusion that it’s the same as any brand. They do theoretically have the ability to use better drivers than competitors who buy them off the shelf, but it doesn’t mean they won’t be tempted to cut corners as anyone else. I’ve heard speakers from Focal, B&W, Dynaudio, Monitor Audio (only the platinum line sounded good to me), Morel, and others who make their own drivers. Some were fantastic, some were mediocre and some were awful. A very vivid example for me came from Morel, one of my favorites (and with whom I worked before- great guys). The Octave Signature 5.25’’ is a phenomenal speaker, IMHO one of the very best compact monitors out there (excluding some super expensive exotics). Drivers, crossover, cabinets- all of very high quality and working together marvelously. On the other hand, the relatively new Octave 6’’ is simply awful (read the stereophille review- it’s all true...). I have no idea what went wrong. They make everything from A to Z, have all the experience and knowledge and yet... summing up this point, the brands which produce their own drivers should be judged the same as everyone.

About electrostatic speakers: I can’t connect visually. It has nothing to do with how any of them sounds... not in my living room. Totally a matter of taste here.

About Scansonic: It just so happens that 2 weeks ago I went to the local importer, auditioned 3 of them- the 2.5, 3.5 and 5. Didn’t like them. The 2.5 (apologies in advance to whoever enjoys them, it’s only my opinion), was simply terrible. Muffled, out-of-control "single note bass" and just sounds wrong. Waaaay too much pressure is put on these 2 tiny drivers, with the down-firing port just making it worse. The 3.5 and 5 were far better in every respect, but still, nothing to write about home. Again- Scansonic owners- take no offence, it’s just this one guy’s opinion.

About the ratio between part costs and retail: This is exactly my point. I’m not looking for the ones that sell for $5,000 pair containing 250$ worth of parts (retail) in each- a 10X ratio. I’m looking for the exceptional ones. I’ve already brought some examples (and looking for more) but here’s another one: http://www.teddypardo.com/speakers/sp1v.html
These little ones contain parts which retail for about 2,000$ (Drivers only- over 1,000$: Seas W12CY + Seas T25CF), and are sold only for 3,000$. This is a phenomenal parts/retail value, and I’m sure it isn’t the only one. BTW, I’ve auditioned these (they sound freakin’ amazing) and had a very interesting conversation with the designer (teddy- a very nice, modest and interesting person). They aren’t for me strictly due to their minute size. If he had a floorstanding 6’’ version- I would have already purchased them. Bottom line- there are way better ratios and better return for the retail price invested- but it does require digging in, and also asking for other peoples recommendations.

A few words about crossovers: It is indeed difficult to asses the quality of the crossovers, it isn’t an off-the-shelf part like drivers that can be easily compared. However, after opening up a few speakers in the past, it can be easily seen if corners were cut. I’ve seen many crossovers built from cheap parts, far from the drivers or the cabinet level. And why wouldn’t they? Nobody sees them... However, sometimes there are surprises. One of the reasons why I like my humble Merlins so much is because no corners were cut, including the crossover. They contain a very well built to the point of over-engineered crossover. Why? probably because the late owner of Merlin (R.I.P.) took his work very seriously, with real passion. That is the spirit of engineering I’m looking for.

About Marten: Timlub- thanks for tweeters recognition! seems right. I’ve auditioned the Formfloor and they were great. I did have a few issues with them, but not deal breakers. Overall, they seem to present a very good value. I’ve also auditioned the Miles 5 at a friends house- these were simply PHENOMENAL. They were so good I could’t really find anything I would like improve (given the room size). However, these are not for my pockets, maybe 2nd hand someday.

About your recommendations: Thanks! there were some I’ve never heard of.