I believe that a really good and worthy goal for any discerning music lover is to be able to truly understand the difference between not liking a particular artist's music and feeling that he "doesn't have it in him"; they are two very different things. It's a tricky thing: how does one acknowledge good artistry while at the same time not liking it? Pat Metheny is a brilliant musician. Clearly, his soft-toned and not-obviously-blues-based concept with its sound-pastiche vibe is not to everyone's liking, but the guy is amazing with his very subtle improvisational ideas and unique sound; even if he doesn't wear a suit :-)
I agree with the comments about James Booker. I knew of him and the fact that he had mentored players like Dr. John, but had not heard his recordings. Rok, thanks for the introduction and I am pretty much amazed by what I have heard so far; definitely someone to become more acquainted with.
The Yellow Jackets are still going strong and I recommend you give the band another shot. "Samurai Samba" is from an early iteration of the band. Personally, Marc Russo's alto sound with its relentless and almost hyper vibe drives me crazy. The band of the last several years has featured Bob Mintzer on reeds with a very welcome and much more sophisticated and insightful playing style; he is also a wonderful composer and arranger.
O-10, you ask a poignant question: "Why?". I suppose it's simply because musicians are people just like anyone else in any walk of life, with personal demons and different capacities to deal with them. Now, add genius to the mix. We would like to think that the type of insight that is a hallmark of genius would help them deal with those demons; but, ironically, it seems that the insight sometimes only serves to give a better look into the whatever torment they must be feeling and not necessarily help them find a way out.
Thanks for the clip Acman3; nice.
I agree with the comments about James Booker. I knew of him and the fact that he had mentored players like Dr. John, but had not heard his recordings. Rok, thanks for the introduction and I am pretty much amazed by what I have heard so far; definitely someone to become more acquainted with.
The Yellow Jackets are still going strong and I recommend you give the band another shot. "Samurai Samba" is from an early iteration of the band. Personally, Marc Russo's alto sound with its relentless and almost hyper vibe drives me crazy. The band of the last several years has featured Bob Mintzer on reeds with a very welcome and much more sophisticated and insightful playing style; he is also a wonderful composer and arranger.
O-10, you ask a poignant question: "Why?". I suppose it's simply because musicians are people just like anyone else in any walk of life, with personal demons and different capacities to deal with them. Now, add genius to the mix. We would like to think that the type of insight that is a hallmark of genius would help them deal with those demons; but, ironically, it seems that the insight sometimes only serves to give a better look into the whatever torment they must be feeling and not necessarily help them find a way out.
Thanks for the clip Acman3; nice.