What do audiophiles want from a cable?


What should a high quality interconnect or speaker cable do to the sound of a system? Make it more transparent? Improve the sound stage and focus? Soften unpleasant highs? Tighten the base? Bring out the mids?

To me, a good cable should reveal more of what is on the recording and more of the true nature of my components. So when trying new cables, I look for more detail and accuracy without becoming cold and clinical. This seems logical, and yet after reading reviews and trying a few of the cables in the reviews, I find that the cables that have received glowing endorsements are not especially transparent or revealing. They modify the sound, but they don’t take me where I want to go. I wonder if the reason I don’t hear what the reviewer heard is that I don’t know what to listen for. Am I too focused on cable accuracy and resolution, and not enough on actual sound quality? Or is it just a case of no two systems sounding alike so why trust a review anyway? Thanks.
mward
I got a pair of speaker cables to sell..
 
They're made of military and aerospace grade beryllium copper, harvested from fragments of a comet that only passes near earth's orbit every 100,000 years. 

These cables are then coated with platinum, because everyone knows platinum is better than gold. 

The cable is cryogenically treated, then annealed, then treated again. This makes the cable resistant to electromagnetic interference due to its superior flux blocking grain structure. 

After about 100 hours of break-in, you'll hear immediate improvements in clarity, transparency, openness, resolution, and a lack of opaque..ness.  

You'll experience a telepathic connection with the musicians and hear all the subtle detail they intended you to hear, realizing that the cables in their recoding studios was comprised of this same magic formula.
@helomech  What length and how much?  Are they terminated in spades or bananas???
Inna, yes I have used Proteus Provectus which are fluid filled and solid core using some combination of the metals you listed in your previous post.  I experienced good results and I agree with your assessment of the qualities these different cables impart on the sound. This fluid filled cable worked very well from the Lampizator DAC to the McIntosh, and did mate up very well with the Venustas and other ferox cables that come later in the signal chain.  The ferox insulated cables seem to provide the SOLID, WELL BALANCED foundation for the music with the dead quiet backdrop you mentioned, while the Proteus Provectus(fluid filled) cables offer the mid range "magic" (similar to a good tube amp or tube preamp)that will inject a very lifelike, multidimensional quality to the sound system.  The Proteus Provectus interconnect, as good as it is, seemed slightly unbalanced in this system.  I heard it tilting the presentation a little too far forward in the mid range and upper frequencies for my liking.   Enter the Jade Vermeil Gold with Bybee purifiers to provided a truly special, spacious, palpable and utterly lifelike presentation of the music that works perfectly here with the ferox insulated PAD cables coming after.  This gave me a real sense of LIVE INSTRUMENTS AND VOICES which is my BASE REFERENCE for what this sound system should be able to reproduce bjg.  In my experience, this is what happens when cable synergy is there, and working its "magic" in the listening space with good equipment.  One should have a "you are there"or "they are here" type of experience when things are setup correctly and this so called "cable synergy" is in full effect and playing music.

Yes, I believe it true that different cables each have their own sonic signature imparting their characteristics in your system. For example, I used to own a Theta Pro-Basic 3, and it was very aggressive, however by inserting a mostly entry level Cardas cable, it completely calmed it down. The Theta and Cardas are no longer in my system. I for one believe in symmetry and also believe you do not need to spend the same amount of money on an IC as you spent on the source component itself! My system currently is Kimber Silver Streak throughout, Balanced and SE, there are better sounding cables out there, but I either can't afford them or the price/performance ratio was not there after audition. I think finding the balance between cost and performance is a hard thing to accomplish. There are some great values out there often overlooked because they were so inexpensive they must not sound good?? Here again, I believe there are diminishing returns as cable price increases and I also believe in not "drinking by the label". In the end my belief is there is a VERY loose correlation between the cost of an IC and how it performs.