Lots of great info here, thank you everyone for what has been contributed.
In my travels, one of the audio salesmen I encountered said that "remasters" oftentimes were the reason why newer versions of the same old music sounded better, especially when they could go back to the old "analog" tape. If that is true, I suspect what he's saying is that going from the original analog multi-track source to the now new original digital would make that conversion much better (with a newer analog to digital converter in the path). He also said that starting out with original multi-track digital source, to digital master could also be an improvement, but (in his opinion), not as much of an improvement as starting out with an analog multi-track source in the first place.
Thinking of MQA, I'm guess something similar applies? If the engineer can mount an original analog multi-track tape and master from there, the first analog to digital conversion would have the advantages of MQA, with the "de-blurring" happening there? Would there be some sort of similar MQA benefit when the original multi-track recording was itself a digital source?
In my travels, one of the audio salesmen I encountered said that "remasters" oftentimes were the reason why newer versions of the same old music sounded better, especially when they could go back to the old "analog" tape. If that is true, I suspect what he's saying is that going from the original analog multi-track source to the now new original digital would make that conversion much better (with a newer analog to digital converter in the path). He also said that starting out with original multi-track digital source, to digital master could also be an improvement, but (in his opinion), not as much of an improvement as starting out with an analog multi-track source in the first place.
Thinking of MQA, I'm guess something similar applies? If the engineer can mount an original analog multi-track tape and master from there, the first analog to digital conversion would have the advantages of MQA, with the "de-blurring" happening there? Would there be some sort of similar MQA benefit when the original multi-track recording was itself a digital source?