Dear friends: First thing I can tell is that that old " warning " against line regulators with amps ( at least in my case ) is totally untrue, there is no single power limitations I can detect about.
I did it my usual whole tests wide/deep process with outstanding results.
Througth that process between other test LP tracks exist two extremely demanding bass range recordings: Telar 1812 and the RR Dafos. Both demanding not only for the speakers system or amps but everywhere from the cartridge to the room where is the audio system.
I really pushed my system with the track: Gates of Dafo's and obviously with the cannon shots in the Telarc 1812 looking for any single sign of power limitations, clipping or quality degradation at very high SPLs: 98 db at seat position with peaks over 107 dbs. It never " collapsed " in any way, everything in focus with extreme detail and resolution.
So, in my case that " warning " is a myth. Rigth now I'm waiting for other two 2.8 watts regulators to connect my monoblocks there. I have to say that I don't know what could happen when test it because my amps are fully regulated input to output. We will see.
Now and returning to the new Velodyne experiences, what am I listening through?:
- first and listening at my normal SPL this SPL " goes down ", in reality does not gone down but this is exactly what my ears and body " feels ". I know that SPL did not gone lower because I measured.
- for my " whole body " can again to feel the same SPLs than before I need to increment around 3 dbs the attenuator/volume in the Phonolinepreamp. However and after the time I just return to the past attenuator position, I don't need to do nothing about but stay there.
- in the whole bass range disappears its false bloom reproduction, false bass power feelings that is not in the recordings, notes has a never experienced clarity/resolution that today I can say are more " transparent " and with an outstanding separation in between. Yes, I'm discovering each single of my LPs ( and I say that not as the normal " cliché " some audiophiles or reviewers tell us. It's literally. ), it does not matters which one or kind of music.
- when I was feeling that I losted that " bass power "/bloom and the like what I did it was to increment the volume in the Velodynes and even that at the begining I thougth was rigth latter on I decided that was not and that I don't need to adjust the subwoofers volume but to stay as in the past.
- all those clarity, transparency and very high resolution in the bass range frequency mmade and makes that the other frequency extreme really shines as never before and yes discovering " new sounds " in the very well know recordings I have and that ow I know I really did not know so well as I imagine.
- now that both frequency extremes are THERE the mid range is too better than ever and this fact ( at least for me. ) confirm what I was and am telling from many years now: that music at home does not belongs at the midrange frequency range but at both frequency extreme ranges that are the music frame in home reproduction.
As better both frequency extremes as better not only the mid range quality level but the overall listening experiences. Mid range depends on those frequency ranges where these frequency ranges does not depends on the mid-range.
- one part of the 1812 whole track is when we can listen the Carrillon that with its multiple bells diferent tones/harmonics and all at the same time is just imposible to identify each single of that Carrillon sounds.
Well, that was till now because I'm hearing from the very first time the real glorious of that Carrillon sounds that I never did it in any single audio system I experienced trhough my audio life ! ! !, incredible experience for say the least.
Even that some people make jokes or laugh of me ( some of you that are reading this post. ) I touted and tout, posted and post ( elsewhere ) for several years that quality level differences between different home audio systems belongs to each audio system/room DISTORTIONS LEVELS and nothing more.
In the last times my quest was and is to make any system single change with the main target to achieve lower distortion levels and this time ( fortunatelly. ) that " move " was and is rith on: LOWERING DISTORTION LEVELS and this fact means MORE MUSIC enjoyment.
Rigth now with that simple " move " I'm listening less to the system room/venue and more into the RECORDING. Additional what is happening/listening ( till today ) confirm not only the other changes I di it in my system in other years but what I posted in diferent audio subjects here and in other forums.
Btw, other " myth " that falls ( for me. ) is that theory that odd harmonics are so irritating to our ears and this is ( for me ) totally untrue because third or fifth bass range harmonics are pleaseant ones like the second ones and today more clear than ever and MUSIC is " harmonics ". Problem, as always, are those system distortion levels.
Yes, all pasive systems needs a pair of active subwoofers wired in true stereo fashion.
Regards and enjoy the music,
R.
I did it my usual whole tests wide/deep process with outstanding results.
Througth that process between other test LP tracks exist two extremely demanding bass range recordings: Telar 1812 and the RR Dafos. Both demanding not only for the speakers system or amps but everywhere from the cartridge to the room where is the audio system.
I really pushed my system with the track: Gates of Dafo's and obviously with the cannon shots in the Telarc 1812 looking for any single sign of power limitations, clipping or quality degradation at very high SPLs: 98 db at seat position with peaks over 107 dbs. It never " collapsed " in any way, everything in focus with extreme detail and resolution.
So, in my case that " warning " is a myth. Rigth now I'm waiting for other two 2.8 watts regulators to connect my monoblocks there. I have to say that I don't know what could happen when test it because my amps are fully regulated input to output. We will see.
Now and returning to the new Velodyne experiences, what am I listening through?:
- first and listening at my normal SPL this SPL " goes down ", in reality does not gone down but this is exactly what my ears and body " feels ". I know that SPL did not gone lower because I measured.
- for my " whole body " can again to feel the same SPLs than before I need to increment around 3 dbs the attenuator/volume in the Phonolinepreamp. However and after the time I just return to the past attenuator position, I don't need to do nothing about but stay there.
- in the whole bass range disappears its false bloom reproduction, false bass power feelings that is not in the recordings, notes has a never experienced clarity/resolution that today I can say are more " transparent " and with an outstanding separation in between. Yes, I'm discovering each single of my LPs ( and I say that not as the normal " cliché " some audiophiles or reviewers tell us. It's literally. ), it does not matters which one or kind of music.
- when I was feeling that I losted that " bass power "/bloom and the like what I did it was to increment the volume in the Velodynes and even that at the begining I thougth was rigth latter on I decided that was not and that I don't need to adjust the subwoofers volume but to stay as in the past.
- all those clarity, transparency and very high resolution in the bass range frequency mmade and makes that the other frequency extreme really shines as never before and yes discovering " new sounds " in the very well know recordings I have and that ow I know I really did not know so well as I imagine.
- now that both frequency extremes are THERE the mid range is too better than ever and this fact ( at least for me. ) confirm what I was and am telling from many years now: that music at home does not belongs at the midrange frequency range but at both frequency extreme ranges that are the music frame in home reproduction.
As better both frequency extremes as better not only the mid range quality level but the overall listening experiences. Mid range depends on those frequency ranges where these frequency ranges does not depends on the mid-range.
- one part of the 1812 whole track is when we can listen the Carrillon that with its multiple bells diferent tones/harmonics and all at the same time is just imposible to identify each single of that Carrillon sounds.
Well, that was till now because I'm hearing from the very first time the real glorious of that Carrillon sounds that I never did it in any single audio system I experienced trhough my audio life ! ! !, incredible experience for say the least.
Even that some people make jokes or laugh of me ( some of you that are reading this post. ) I touted and tout, posted and post ( elsewhere ) for several years that quality level differences between different home audio systems belongs to each audio system/room DISTORTIONS LEVELS and nothing more.
In the last times my quest was and is to make any system single change with the main target to achieve lower distortion levels and this time ( fortunatelly. ) that " move " was and is rith on: LOWERING DISTORTION LEVELS and this fact means MORE MUSIC enjoyment.
Rigth now with that simple " move " I'm listening less to the system room/venue and more into the RECORDING. Additional what is happening/listening ( till today ) confirm not only the other changes I di it in my system in other years but what I posted in diferent audio subjects here and in other forums.
Btw, other " myth " that falls ( for me. ) is that theory that odd harmonics are so irritating to our ears and this is ( for me ) totally untrue because third or fifth bass range harmonics are pleaseant ones like the second ones and today more clear than ever and MUSIC is " harmonics ". Problem, as always, are those system distortion levels.
Yes, all pasive systems needs a pair of active subwoofers wired in true stereo fashion.
Regards and enjoy the music,
R.