Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
You guys had me so confused I had to reach for my man Hugh Masekela. Then one thing led to another. I don't know who influenced who, just good stuff.

https://www.youtube.com/watch?v=4Caj_4DPnTc

https://www.youtube.com/watch?v=87S_wbCsNbQ

I recommend: "The Best of Hugh Masekela". Every track a winner!! I also learned that Vasco Da Gama was not a friend on mine. I think.

Cheers
BTW, On Cuba, Africa, Slavery and Indians in the Movies, I have declared victory. So we can all move on.

Cheersd


****An interesting point is that while it may be called communism, in truth, it's nothing but a dictatorship****

Interesting indeed; a very important distinction and absolutely correct. The term "Communism" sometimes conjures up, in the minds of those without first hand experience or deep knowledge of it, very romanticized notions of what it is really like. The injustice and brutality of it hides behind the theoretical idea of what it can be or is supposed to be; something that it never turns out to be, if history is any indication.

How both ironic and fitting, in the context of this thread, to be discussing Cuban music and politics when jazz was (and is still to a degree) outlawed in Cuba. One of the greatest Cuban bands in recent times, "Iraquere", came to be as a facade supported by the Cuban government to show the world that it did not, in fact, suppress artistic expression. The government "allowed" jazz to be played; but, only a little. Some of its members (Paquito D'Rivera, Chucho Valdez, Arturo Sandoval) left the group or defected to the US because they wanted to play more jazz, but were not allowed. Here are a young Paquito, Arturo and Chucho while still in the band:

https://m.youtube.com/watch?v=X1TvtB0GoQ0
Had to add this! The underrated Carlos Ward.

http://www.youtube.com/watch?v=4ZqkPnQ_41U

Should "The Wedding" be a standard? Maybe just a song I like.