bondman, here is the quote from one of my earlier posts.
"Ok, the jury is in.
The Walsh 4s win.
After much listening and knob twisting, there is now no doubt.
The W4s have more definition and are more transparent.
I was able to turn the bass up a notch on the tone control which gave it enough kick to satisfy me.
The defining test was listening to the intro from "Money for Nothing".
The drums had much more tone and roundness compared to the W2.2000 speakers which sounded flatter.
At that point I couldn't go back.
Now, what to do?
It looks like a pair of Ohm-Walsh 2.2000 speakers will be for sale soon.
Or, I might relagate them to garage duty."
What surprised me was that I contacted Ohm about the issues and they just shined me on. They were pushing the line that it must be the room. This ignored the fact that I did a direct comparison between their 2 speakers in the same location.
I think that to assume all Ohm-Walsh speakers sound the same and are all voiced alike is to ignore the realities of production. A human is assembling them from parts sourced from who knows where. My 2.2000 upgrade speakers, with 6 months of break-in, never got better. As soon as I auditioned the 4XOs, the game was over.
"Ok, the jury is in.
The Walsh 4s win.
After much listening and knob twisting, there is now no doubt.
The W4s have more definition and are more transparent.
I was able to turn the bass up a notch on the tone control which gave it enough kick to satisfy me.
The defining test was listening to the intro from "Money for Nothing".
The drums had much more tone and roundness compared to the W2.2000 speakers which sounded flatter.
At that point I couldn't go back.
Now, what to do?
It looks like a pair of Ohm-Walsh 2.2000 speakers will be for sale soon.
Or, I might relagate them to garage duty."
What surprised me was that I contacted Ohm about the issues and they just shined me on. They were pushing the line that it must be the room. This ignored the fact that I did a direct comparison between their 2 speakers in the same location.
I think that to assume all Ohm-Walsh speakers sound the same and are all voiced alike is to ignore the realities of production. A human is assembling them from parts sourced from who knows where. My 2.2000 upgrade speakers, with 6 months of break-in, never got better. As soon as I auditioned the 4XOs, the game was over.