Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
#3- Danzonete- cha- There is very little info on this term. There is a small reference in this Danzon post.
http://en.wikipedia.org/wiki/Danzón

http://en.wiktionary.org/wiki/danzonete

I would assume the Cha-Cha-Cha would be involved. Maybe a Cuban music expert can help????

Acman, that is one of the most important recordings I don't have, and have never heard before now. I must have it; then I can just lay back and soak it all in.

Enjoy the music.
#5 "La Fiesta De La Rumba"

Slow tempo "Guanguanco".  Guaguanco is the most popular style of Cuban rumba.  It developed  among the different African ethnic groups, primarily from Central and West Africa, who were brought to Cuba as slaves.  This recording starts with a 3-2 rumba clave rhythmic pattern played on the claves.  This merits an explanation:  clave is the name of an important percussion instrument used in Cuban music; two thick rosewood sticks struck together.  Clave is also the name of the most important rhythmic pattern in Cuban music; usually (but not always) played on claves (the instrument).  The importance of clave rhythm in Cuban music cannot be overemphasized.  It is a type of repetitive rhythmic grid or framework around which all the other percussion instruments synchronize their individual parts.  There are different Clave rhythms, but this one, the 3-2 rumba Clave is one of the most common.  But, what is rumba Clave?  Do this simple exercise and this common rhythm will be instantly identifiable to anyone familiar with Latin music.  First do the exercise very very slowly by enunciating the beats and subdivisions, and then try doing the same thing by clapping your hands where there is an emphasis while enunciating the beats and subdivisions:

Think four beats per measure of music: (1) (2) (3) (4).  Now, imagine that each one of those beats is divided into four subdivisions:

(1)one, two, three, four
(2)one, two, three, four
(3)one, two, three, four
(4)one, two, three, four

Now, do the same thing, but this time each of the four subdivisions of each beat may or may not be emphasized:

(1) ONE,  two,  three,  FOUR
(2) one,    two,  three,  FOUR
(3) one,    two, THREE, four
(4) ONE,  two,   three,   four

Remember, the digit is the one of the four beats in the measure and the spelled number is each of the subdivisions in each beat.  Listen to the clave (the instrument) in the song "La Fiesta De La Rumba" and focus on the rhythm that it plays; it is the very first thing that one hears on the clip.  This (Clave rhythm) is the heart of Cuban music, around which everything else revolves.  

I made a comment in an earlier post that, in Cuban music, the dance is almost inextricable from the music.  There could not be a better example of this than in Guaguanco.  This is Guaguanco (the dance) along with the
music.  As with almost all ethnic musics (African) the dance tells a story.  In this case it is suggestive and playful story of sexual conquest; or, more specifically it's attempt (the dude never gets the prize):

https://m.youtube.com/#/watch?v=m-9JLuvoSPI