Synergistic Red Fuse ...

We get it already
foolish and delusional folks who appreciate overpriced silly fuses.

And future "gullible" purchasers, deserve to hear both side of the fence, not just the voodoo side, every time they are bought up to be the saviour of good audio sound.

And if some here want to turn this "fuse thread" into a "music review thread" can I suggest the "Music Thread" instead of just bumping this one for the hope of more potential fuse sales.

https://forum.audiogon.com/topics/music

Cheers George

Got it George,   I hadn't considered that possibility before 😊
Charles 

Warning, Off topic alert,
For those following the NCAA basketball tournament North Carolina is looking very dominant.  They'll play the UCLA/Kentucky winner, this could be potentially one excellent match up. OK back to the fuses. 
Charles 

If it weren’t for backsliders, mossbacks, anti-audiophiles, tweakaphobes and those with learning disorders and/or reading comprehension issues this thread would almost certainly have ended long ago. But getting back to the topic just for a sec, has anyone tried the aftermarket fuse from Parts Connection? It’s got a ceramic body fuse with nano material wire and gold and rhodium plated end caps. Mmmmmmm. And It’s only $19.95. Hel-loo! 

http://www.partsconnexion.com/fuse_create_dlux_sml.html

Excerpt from 6 Moons review of the Deluxe version of the Create Audio fuse.

"I’d never previously accorded much weight to tweakers who celebrated after-market fuses because these parts with their two contacts and 15mm of wire seemed too small to warrant anything much audible. I was wrong. But it is important to put changes into perspective. These aren’t fundamental changes as when we swap a component or cabling. Their effect operates on a more subtle level as a finishing touch to our general perception and becomes appreciable during longer listening sessions easiest when we return to the original fuses. With the LAR the sound became nobler. The treble grew sweeter to eliminate any of my subliminal suspicions. Most surprising was the bass. It extended lower with more saturation. These weren’t big changes but in terms of quality (rather than quantity) truly surprising. The bass on the Laurie Anderson disc didn’t gain in weight but had better timbre and more articulated dynamics.

I thought all this was attributable to improved resolution. These changes were not heard on their own but because everything became better organized and the connective tissue between individual sounds was strengthened. It wasn’t bad before but with the Create Audio fuses separate sonic islands were connected into one cohesive archipelago."