I have to echo Duke’s response. I get why you don’t want to mention brands, but it seems to really limit the applicability of the discussion.
MBL makes a very specific type of tweeter as far as I know not found elsewhere, and I have no idea if other manufacturers have produced an omni tweeter design with similarly excellent results. So I can’t say "I like omni tweeters because they have X results" because maybe I don’t like all omni tweeters - I can only speak to the specific ones I’ve heard that sound great. And pointing the the specific brand allows others to know exactly what I’m talking about.
And this really speaks to the whole issue of discussing tweeters in the absence of specific designs and implementations: We all know drivers don’t have qualities that exist in a vacuum - it depends on implementation. I’ve heard ribbon tweeters sound awful, and sound great, depending on how, technically, a specific speaker designer is using it.
How do I discuss the qualities of metal dome tweeters without mentioning the differences in implementation? Way back when metal dome tweeters were becoming more in use I used to agree with many audiophiles that metal dome tweeters sounded hot and metallic. But that prejudice was vanquished when I encountered the way Paul Hales had employed them in his speakers (Transcendence line), which seemed to have all the benefits of the metal drivers without the purported draw backs and characteristics (they were remarkably smooth, rich, sweet sounding speakers - still are, as I still have some). Now, if someone cares to, they can look into how Hales implemented those tweeters (looking for instance at stereophile's measurements, etc).
MBL makes a very specific type of tweeter as far as I know not found elsewhere, and I have no idea if other manufacturers have produced an omni tweeter design with similarly excellent results. So I can’t say "I like omni tweeters because they have X results" because maybe I don’t like all omni tweeters - I can only speak to the specific ones I’ve heard that sound great. And pointing the the specific brand allows others to know exactly what I’m talking about.
And this really speaks to the whole issue of discussing tweeters in the absence of specific designs and implementations: We all know drivers don’t have qualities that exist in a vacuum - it depends on implementation. I’ve heard ribbon tweeters sound awful, and sound great, depending on how, technically, a specific speaker designer is using it.
How do I discuss the qualities of metal dome tweeters without mentioning the differences in implementation? Way back when metal dome tweeters were becoming more in use I used to agree with many audiophiles that metal dome tweeters sounded hot and metallic. But that prejudice was vanquished when I encountered the way Paul Hales had employed them in his speakers (Transcendence line), which seemed to have all the benefits of the metal drivers without the purported draw backs and characteristics (they were remarkably smooth, rich, sweet sounding speakers - still are, as I still have some). Now, if someone cares to, they can look into how Hales implemented those tweeters (looking for instance at stereophile's measurements, etc).