Hey Charles,
I have had many discussions with listeners regarding which gives most of the magic of David Berning's ZOTL circuit, the 40 watt amplifier or the Micro-ZOTL line-stage. After trying the Micro-ZOTL with all kinds of solid state and tube amplifiers it always brings it's virtues ( speed, a very special type of overall dynamic, great color, and a terrific sense of space/3D imaging) to such a level, that when it is removed the system sounds somewhat "dead/whimpy", loses color and sounds much more 2D overall. Now don't get me wrong, I bought the 40-ZOTL and believe that it's a great amplifier, but my point is that much of the unique sonic qualities of Berning's design can be gotten with the preamp and then you can add any flavors to it with your amplifier.
And as you said Charlies, to hear these nuances it takes a reference level speaker, plus the ability to be driven with very little watts to use many of the low watt/SET designs, without resorting to horn based speakers which are not my cup of sonic tea.
I have had many discussions with listeners regarding which gives most of the magic of David Berning's ZOTL circuit, the 40 watt amplifier or the Micro-ZOTL line-stage. After trying the Micro-ZOTL with all kinds of solid state and tube amplifiers it always brings it's virtues ( speed, a very special type of overall dynamic, great color, and a terrific sense of space/3D imaging) to such a level, that when it is removed the system sounds somewhat "dead/whimpy", loses color and sounds much more 2D overall. Now don't get me wrong, I bought the 40-ZOTL and believe that it's a great amplifier, but my point is that much of the unique sonic qualities of Berning's design can be gotten with the preamp and then you can add any flavors to it with your amplifier.
And as you said Charlies, to hear these nuances it takes a reference level speaker, plus the ability to be driven with very little watts to use many of the low watt/SET designs, without resorting to horn based speakers which are not my cup of sonic tea.