Tekton Double Impacts


Anybody out there heard these??

I have dedicated audio room 14.5x20.5x9 ft.  Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs.  For the vast majority of music I love this system.  The only nit pick is that it is lacking/limited in covering say below 35 hz or so.  For the first time actually buzzed the panel with an organ sacd. Bummer.  Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's.  Really don't want to deal with that approach.

Enter the Double Impacts.  Many interesting things here.  Would certainly have a different set of strengths here.  Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.

I've read all the threads here so we do not need to rehash that.  Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers

Thanks.
corelli
Audioman58,

If I had more refinement and detail in my listening room,

I would have to wear a Tuxedo and scrap the detail of the walls with a golden knife.

Now that's some funny stuff.😁😁

Best,

Kenny.
mac48025
I agree with your assessment of the DIs being very refined and detailed. Told Eric that their accuracy and crescendo capabilities are so good they have reawakened my interest in classical music -- that shows off the dynamic qualities of the DIs to perfection.
Recently ripped a number of the EMI/Warner Karajan recordings. Had not, in the past, listened to them much because of the orchestral sound ideal Karajan developed -- based on fundamental tones and very massive textures.
On the DIs, these massive textures are presented so well that you feel some of the physical power the Berlin orchestra could generate, And it is so strong that the crescendos by themselves become an event worth enjoying.
No other speaker I have heard has been capable of rendering this quality and it speaks directly to your assessment above.
Agree, as well, that the speakers must be in a good acoustical environment in order to hear how well they can sing. Have used wall treatments, Herbie's gliders, careful positioning, and a small amount of APQualizr EQ (run through JRiver) to get the DIs perfect in my setup. The result is a soundstage so secure that performers can be pointed at with ease and who hold their positions rock steady in ensemble.
This thread continues to provide helpful information for the prospective DI buyer -- congrats.
Ron1264
Have had the DIs for about a month and agree with much of your assessment. Oddly, my set has always had plenty of bass (measured by REW down to 20z) and I am actually using EQ to soften it a little in order to make all balance. This seems to be a room size result as some responders feel the need for a sub and others, like me, find plenty of power there.
The Eminence drivers become substantially more focused when broken in. Have also found that treating the wall behind the speaker removes conflicting sound wave reflections and cleans up the bass sound significantly.
craigl59,

I think you are correct. I think its a room size issue. If I stand behind my listening position, the bass gets much better. Unfortunately I can't move the seats back as that's how I get into the room. Maybe I'll give bass traps a try, i may be getting some cancellations .
@ron1264 Congrats on getting your Double Impacts and getting them broken in. A suggestion on getting better bass: the traps will certainly help, but you might want to try raising them a couple of inches and using an isolation footer/platform. Both made a major difference for me. I’m still working out room treatment options, but for now old curtains drapped over small stools behind the woofer ports are helping.