Jazz for aficionados

Dave there is no decorum here, you just do what you feel. I was speaking of the way music affects me personally; I can't hear fusion, after listening to classic jazz. When the groove is changed radically too many times, I can't hear the music; fusion sounds like noise after getting into a classic jazz groove.

Whenever the "groove" is changed, I try to go with the flow. We seem to be in an ECM groove now in honor of Abercrombie. I don't know offhand if I have anything with him as leader, but I have him as sideman.

Ghosthouse understands that "groove" shift thing, occasionally he finds some "new" music that is unappealing at that moment, (sounds like noise, but might be OK in the next moment)

If you like it, submit it. It has been alleged that I don't like a lot of new music, but that should have nothing to do with what you submit. What I don't like is radically changing of the groove (subject).

After all is said and done, I would say it's your turn to submit music, whatever floats your boat.

BTW, no one has commented on the last music I submitted.

Thanks for clarifying, o. I do not feel intimidated by you or anyone here, just feel that I own the duty of diligence in qualifying submissions plus I respect what I do not know.

I will return to auditioning your and others’ submissions here as of tomorrow. Trying times with custody of my grandson and big turds in my punchbowl associated with/created by my elderly father have kept me from investing quality time with good music as of late, but both challenges are being sorted in God’s time.

Oh yeah, and then there is the mammoth hurricane headed toward me as I write..

Best to you, o, and to ghosthouse.

Dave

Hello there O - 
Some comments about your Metheny links...

"Last Train Home"  - I know this one well from the very good live album, "The Road to You".  It's a beautiful song.  Pat at his lyrical best.  TRTY has a couple of tracks from Still Life (Talking) including Last Train.  It also contains material from another studio album, Letter From Home - an excellent Pat Metheny Group album from around this same time.  

For a good part of the '80s, Metheny was incorporating South American percussion.  On this album, Armando Marcal is listed as percussionist.  Elsewhere it's Nana Vasconcelos.  I think these sounds lend something pretty magical to the music.  

My introduction to PMG was walking into a record store when "Wichita Falls" first came out.  I'd never heard anything like it before.  THAT became my favorite Metheny album for a long time.  Released on the excellent ECM label.  Actually got to hear it live later that year or the next when the Metheny Group performed at the McCarter Theatre in Princeton NJ.  Felt like I was walking on clouds when I left the show.

Have to admit I do not know Offramp at all.  I remember when I was just getting into Metheny after hearing Wichita Falls, it and American Garage were LPs I always wanted to get but never did, as it turns out.  I like the two tracks you posted from Offramp; esp. those synths on "Are You Going With Me" and Nana's brief vocal contributions on "Au Lait".  

Guess I'll be listening to some more Pat Metheny soon.  Haven't pulled out my old stuff of his from the '80s in quite a while.  Probably waited long enough and should get Am. Garage and Offramp too.
  
Letter from Home here, if you've not heard it before.  A groove not too different from your Last Train Home link...
https://www.youtube.com/watch?v=eGGqEivPIKs&ab_channel=MrAkdnt

Here's the final track from Metheny's 2nd album, "Watercolors".  This one alone is worth the price of the album....
https://www.youtube.com/watch?v=d2iuL69IF78&ab_channel=ΚωσταςΠετρακος

Dave, it's good to respect what you don't know. That made me aware of the responsibility I have to inform.

We all have our crosses to bear, I hope to help lighten your awesome burdens. My mother-in-law gets crazier every day; she left in 6 degree below 0 weather one night, and had us worried enough to call the police. Some good samaritan saw her, and knew an old lady had no business out in that weather at night. Fortunately she knew her address, and they brought her back home.

I'm impressed by your ability to hear "classic jazz". Imagine the music as an FM radio station, and we as FM tuners; we have to be on the right frequency in order to hear the music; not everyone is tuned to the right frequency.

As far as classic jazz, you can go back through posts, and pick an artist or specific sound you want to expand on and we'll delve into it. The 100 Greatest Jazz Albums is a very good start, and I imagine you already have that.

Stay safe from the hurricane, and I'll look for you after all is straightened out.

"Ghosthouse", I know exactly what you mean by "walking on a cloud" after leaving that PMG show, I had the same feeling. Somehow, his group caught the feel of the moment; you were not in yesterday, or tomorrow, you were in that exact moment in time.

I'll listen closer to his albums that I haven't heard in awhile. I'm not tuned to "Watercolors" this morning, but the music expresses "Watercolors".