Tekton Double Impacts


Anybody out there heard these??

I have dedicated audio room 14.5x20.5x9 ft.  Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs.  For the vast majority of music I love this system.  The only nit pick is that it is lacking/limited in covering say below 35 hz or so.  For the first time actually buzzed the panel with an organ sacd. Bummer.  Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's.  Really don't want to deal with that approach.

Enter the Double Impacts.  Many interesting things here.  Would certainly have a different set of strengths here.  Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.

I've read all the threads here so we do not need to rehash that.  Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers

Thanks.
corelli
nitrobob,

FWIW I built my main rig to be able to go very loud and clear when needed with the kind of music you are talking about for a modest  cost (by high end audio standards at least). I achieved that goal quite well I would say.

My setup is Bel Canto Ref1000m amps (Class D 500w/ch into 8 Ohm) into OHM 5 speakers (12" Walsh style main driver), essentially the equivalent of OHM 5000 models in the current line.

This rig goes as loud and clear as I would ever want to go with rock, pop, big band, classical whatever and produces the most life like sound stage and imaging to be had in their price range.

That is my solution that works so just tossing that out.

The Walsh style drivers operate differently than most conventional dynamic drivers. I’ve owned various OHm Walsh models since ~ 1982 when they first came out and they are champs at taking whatever power you through at them and going loud and clear. I’ve even used them that way at outdoor parties from time to time. Older models in particular can be had for not much used for the amount of sound and overall sound quality you get. The sound with newer models is more refined over older..

Also Class D amps are newer high efficiency technology for amps that when paired up with the right speakers of just modest efficiency can achieve similar SPLs as higher efficiency speakers with lower power amps. A bonus is the energy efficiency saves you on on your power bill and helps keep overall TCO low.
Nitrobob since you play really loud, maybe traditional stereo won’t work, at that level most of this speakers won’t be able to handle.Maybe you need a Mackie PA 400 watt and those big JBL speakers , Like me I like to sing KAraoeke my stereo is not for that , so I bought this Kevlar speakers for Karaoke,no distortions, no worries to blow them up, My Kevlar are paired with Fender PA.From what I read the DI are fantastic if use properly, Iam ok with anyone playing any volume they wish....Iam not dictating how they want to use their systems...I also go to live concert a lot..We also have live band in our church every Sunday for praise and worship,
I only listen at 55-70 db, I feel like such a wimp lol. I do have a serious reason for listening at those levels. I developed tinnitus from playing drums for many years so its just not possible to listen louder for me. My ears are very sensitive. More power to people with ironclad ears.

Mapman

That's interesting .I remember the Ohm speakers of the 80's. In fact, I was talking to a co worker last summer. He's a music freak like us. He mentioned his favorite speaker of all time was those Walsh OHm's ..

A few years ago one of our members who performs professionally in a classical symphony orchestra posted the following, in this thread.  I would emphasize the words "continuous time weighted average" in his post.

Recently, there was a post on the ICSOM board that I thought I would share the info from. ICSOM is the International Congress of Symphony and Opera Musicians, which consists of the musicians of the major US and some international orchestras.

The topic was How long can a person endure a certain noise level before hearing impairment occurs. As you can imagine, this is a fairly hot topic among symphonic musicians the world over, as it has been proven that we will lose at least 20% of our hearing over the course of our careers. I think audiophiles will also be very interested in the following stats, especially those of you who like to listen very loudly for long periods.

What follows are the current standards for recommended permissible exposure duration for continuous time weighted average noise, according to NIOSH and CDC. Keep in mind this is an average level for continuous exposure, and these numbers may not represent a world wide view of the subject. Basically, for every 3dB beyond 82dB, the permissible exposure time is cut in half before hearing damage will occur.

82dB - 16 hours
85dB - 8 hours
88dB - 4 hours
91dB - 2 hours
94dB - 1 hour
97dB - 30 minutes
100dB - 15 minutes
103dB - 7.5 minutes
106dB - less than 4 minutes
109dB - less than 2 minutes
112dB - less than 1 minute
115dB - less than 30 seconds
Regards,
-- Al