Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


128x128rvpiano
Half-Price books is good source, here in Twin Cities they must have a dozen stores and the price is right .
My secret source is Berkshire Records on net .Don’t tell anyone else !

To me the LP always sounds better and easy to find here in stores plus  the 10 Goodwill stores within 8 miles of my abode,
I’ll like some feedback this, to ME the difference I hear is there is no air in the hall
on CD and there is on LP, and for ME, that makes all the difference .
Of course , I might be nuts .
Schubert,

  You’re not nuts.  The biggest difference between LPs and CDs is the air around the instruments.
The music of Brahms is often referred to as "autumnal".
Fifty years ago I thought that meant the color of a leaf or something.
Now , in my old age I see it as genius that still draws between the lines, sort of like Rembrandt compared to modern painters who just throw paint
unto a canvas .
Example #1 is his late piano music that is like comfort food to an old man.

Another composer who is an exemplar, to me anyway, is Faure,
the daddy of modern French music .An example is one of his last works the Trio for piano,cello and violin, Op. 120.
The recording I have enjoyed the most is the great American/Israeli violinist
Gil Shaham and Co. , "The Faure Album" CC03 on the Canary label .
I gather Canary is the Family business on the net, though I found mine at Barnes & Noble . I doubt there is a bad recording of it .

That said , the Canary has the advantage of starting with an early great work , Faure’s "Sonata for violin and piano, Op.13 and ending with the Trio
Op. 120 showing his progression from a young genius to an old one .
Faure , died not long after . His last words were to his son. "I did what I could.Now let God be my judge ".

I’m going into withdrawal.  My amplifier crapped out AGAIN, so I’m without music. A very sorry state.
I’m getting a new amplifier!!
I've found , after about a dozen amps, that Belles has the goods on what is needed for Classical . Neutrality, clarity , instrumental differrentation, depth
and a tiny dab of warmth .