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Jazz for aficionados

Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
orpheus10 OP
8,668 posts
 

I saw Ahmad in Chicago in the late 80's, and his drummer Frank Gant told me they had tickets to Japan, and that they could not make a living without Japan, and Europe. At that time, I didn't know this was so.


"Marseille", the title track is afforded three different versions, the first being a mesmeric modally-inspired instrumental foray. The title is also a paean to a country that has enthusiastically supported Jamal throughout his long career culminating in the French government awarding him the prestigious Chevalier De L'Ordre Des Arts Et De Lettres in 2007. The album itself was recorded in Malakoff, a suburb on the outskirts of Paris.

Evidently he's still enjoying France and Europe.
pryso
1,986 posts
 
o10, we seem to be at a misunderstanding so I'll hope to clear the air before it continues any further.

"I never said her rough life helped her."  And I wasn't suggesting you did say that.  But I was reacting to your comment, "What upset me was that you seem to say that Billie's rough life helped her as a singer. Like being a prostitute at age 14, and being a drug addict, gives you 'soul' and 'passion' in your music. All BS, of course." 

Right or wrong, I read that as saying you consider any suggestion for her early rough life to have aided/contributed to her development as a singer to be BS.  Knowing a little about your knowledge and sensitivities from readings here that surprised me.
rok2id's avatar
rok2id
7,859 posts
 
Let me clear up the confusion.  The statement you attribute to O-10, was actually posted by me.   O-10 re-posted it, as a reference, and forgot to put it in ***  or """ marks, so it seemed as if he was making the statement for the first time.

I originally got upset because the Jazz Queen from Croatia posted words to the effect that she "didn't care one bit as to the quality of Billie's voice", without having any idea as to why her voice, and health in general, had  deteriorated so early in her life.   We were not giving an objective critique of her voice, but speaking of it as an indication of her troubled life.   In that sense, I do care why she sounds as she does.

Hope this clears it up.  O-10 is innocent.  This time.

Cheers


                  


orpheus10 OP
8,668 posts
 

Rok, we're both guilty in regard to how we accepted her voice; I pointed out to you the years to avoid because her voice had gone bad, and they had pretty pictures and CD to cover it up.

Here's something that sounds interesting: "Classic Savoy Be-Bop Sessions". Before I go through this, I need to know is anyone really interested in Be-Bop?

"Bird" seems to be the one who turns me on the most, and I've got him. They claim the sound improvements are enough to get this set.

Get back to me on this.
rok2id's avatar
rok2id
7,859 posts
 
Everyone, worthy of being called an aficionado is interested in Be-bop.   There is pre-bebop, Bebop, and then a sea of noise.

I have the Bird Savoy recordings on LP.   Which means I can't listen to them without  investing in a turntable and all the nonsense that goes with that.   I notice that items that used to cost a few bucks, back in the day of Dual and Thorens, now cost hundreds.   What's an Audiophile to do?

For some reason, Bird and Dizzy, were never among my favorites.   I have their music, but seldom listen to it.

Cheers


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