@david_ten, it was certainly my pleasure to share the experience of the past few months.
Unfortunately, the day prior to my post yesterday I had written an even more lengthy and detailed write up, replete with all those audio superlatives, and the characteristics of each of the components I listed. However, upon hitting, "post your response", I received an error message and my effort on the matter was lost. So my post from yesterday was somewhat abbreviated.
I will tell you, as someone who currently has Pass gear and the XP-20 specifically, that I was underwhelmed from the moment I introduced it to the XA 60.8's. Yes it was detailed and un-coloring, but the imaging was poor, the soundstage seemed compressed...it just did not sound,"musical" to my ears and taste. The moment I was able to to an A-B comparison using Aric's loaned preamp, I knew I was on to something special. The sound was much bigger, expressive, rich yet detailed, there was more space between the instruments..."that sounds live", was my wife's quote. And you know that is what we all strive for.
Aric expects to finish up work on, The Motherlode, as we have appropriately named it, and after I have given it ample time to break in and integrate with my Pass amps and DI's(soon to be the SE's), I will report back. I will share with you some of the features:
Again, I am pretty excited to hear for myself, but Aric states that his initial listening was nothing short of mind blowing.
Thanks!
Brian
Unfortunately, the day prior to my post yesterday I had written an even more lengthy and detailed write up, replete with all those audio superlatives, and the characteristics of each of the components I listed. However, upon hitting, "post your response", I received an error message and my effort on the matter was lost. So my post from yesterday was somewhat abbreviated.
I will tell you, as someone who currently has Pass gear and the XP-20 specifically, that I was underwhelmed from the moment I introduced it to the XA 60.8's. Yes it was detailed and un-coloring, but the imaging was poor, the soundstage seemed compressed...it just did not sound,"musical" to my ears and taste. The moment I was able to to an A-B comparison using Aric's loaned preamp, I knew I was on to something special. The sound was much bigger, expressive, rich yet detailed, there was more space between the instruments..."that sounds live", was my wife's quote. And you know that is what we all strive for.
Aric expects to finish up work on, The Motherlode, as we have appropriately named it, and after I have given it ample time to break in and integrate with my Pass amps and DI's(soon to be the SE's), I will report back. I will share with you some of the features:
- Dual brushed aluminum chasis design separating the power supply and the control stage
- A huge toroidal transfer with several large Clarity TC filtering caps in the power supply
- the preamp will have a built in MM stage with two 6SL7 tubes and Jupiter output caps
- the line stage will have its own set of 6SL7 tunes and use two massive Dueland Cast PIO output caps
- TKD pots for both the volume and gain
Again, I am pretty excited to hear for myself, but Aric states that his initial listening was nothing short of mind blowing.
Thanks!
Brian