trelja
@georgehifi You make a good point regarding the aging of fuses. I don’t think we have considered the degradation they endure by the turn on - turn off process over time. As someone who has had to run a lot of ageing tests in the electronic materials we developed and produced, ran them against our competition, and saw the ill effects, I should have put 2 and 2 together.
Regardless of whether you believe in the efficacy of using better materials in fuses, fuse direction, or just use the typical off the shelf fuse, it’s probably a good idea to think of fuses more like our engine oil, and regularly change them.
Yes you are correct and yes change them as a maintenance reason, but don’t tell me a >$100 fuse will sound like this compared to a quality $2 fuse
"I’ve noticed a lot is the surreal quality there now is to percussion, be it with stick, brush, hand and the drum, box, or instrument used to receive the blow or strike. I swear it seems like I can tell if an opening is facing or turned away from the mike and subtle movements of the instrument or positioning and changes with hand placements. It seems to be consistent with the room echo and decay manner that accompany it. Talk about "seeing into" a performance."
mikexxyz22 posts03-24-2018 6:59amGeorgeHiFi:
Guys like Nelson Pass are OK as designers go but are not thorough and detailed enough to bring a complete solution to market. This is left for others to do.
Your kidding, this basically says Geoff and Nonoise are more competent in fuse area than Nelson Pass is.
Guys like Nelson Pass, John Curl, Dan D’Agostino would’nt be seen dead promoting fuses in this forum the way the >$100 fusers here do.
Cheers George