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  3. 131672-481

The new Synergistic Research BLUE fuses ....

New SR BLUE fuse thread ...

I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.

1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.

2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.

3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.

I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.

4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.

Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.

http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...

Overall impressions:

Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.

Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.

Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)

Frank

PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.

Frank



128x128oregonpapa
geoffkait's avatar
geoffkait
23,365 posts
 
Let us pray. 
mapman's avatar
mapman
22,178 posts
 
" the fuse warrior that time forgot."


That title is all yours yapdogkait despite the fact you don’t even use fuses yet can run your mouth forever about the choice ones. Did you get freebie fuses as well to rave about but not use?
nonoise's avatar
nonoise
10,826 posts
 
It’s refreshing to wake up after a good night’s sleep and see the same flies in the ointment. What Ted Denny said:
NO OBJECTIVE CRITERIA OR TEST THAT EXISTS TODAY THAT CONCLUSIVELY PROVES ANY PRODUCT TO BE BETTER THAN ANY OTHER.
is not a repudiation of his product and even the ones with half a brain here know that, yet they immediately jump on it as such. It’s like after having your head buried in the sand for so long, they stand up, bend over backwards, and reinsert their heads in the sand, proclaiming,
"I now have a new point to argue with."

Geoff has been saying, in a different way, that there’s no way to validate a A/B/X test as there’s too many variables inherent in the test (which is another way to state Ted Denny's statement) and like I’ve always said, it’s a parlor trick.

And something has to be said about false equivalency. One side is trolling as best they can while the other can only point to the obvious remedy: try the fuse for yourself. It appeares to be just a tactic to get the thread shut down.

And one more thing: there’s nothing in the book that states that a fuse can not effect the sound of one’s system. There’s nothing in "electronic engineering" (as one here loves to say) that says the same. There are no "engineering laws" that say that either. It’s merely the understanding of those with an appreciation and understanding of those rules and laws who surmise, for themselves, that it can not be. They’re just guessing. No body has ever bothered to consider it before someone discovered that a fuse can be of benefit.

There’s no way in hell that something which is a part of design can not impart a sonic signature of it’s own, since the design can not work without it’s presence. It’s function is small but that doesn’t mean it’s sonic impact isn’t. Just because no one thought enough to give due consideration to something for a long time doesn’t mean that it’s some kind of electronic engineering law.

All the best,
Nonoise

mapman's avatar
mapman
22,178 posts
 
And in the meantime, there are those of us who are thoroughly enjoying our Magic Music Machines. And conversely, there are those who will never know because they believe they already do.

Excuse me now.  I think I'm going to be sick.

mapman's avatar
mapman
22,178 posts
 
Nonoise if you want to have a chance of being regarded a credible source you might want to reconsider hiding behind yapdogkait’s obfuscations.
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