Tekton Double Impacts


Anybody out there heard these??

I have dedicated audio room 14.5x20.5x9 ft.  Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs.  For the vast majority of music I love this system.  The only nit pick is that it is lacking/limited in covering say below 35 hz or so.  For the first time actually buzzed the panel with an organ sacd. Bummer.  Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's.  Really don't want to deal with that approach.

Enter the Double Impacts.  Many interesting things here.  Would certainly have a different set of strengths here.  Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.

I've read all the threads here so we do not need to rehash that.  Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers

Thanks.
corelli
To my three Amigos-not Chevy Chase, Martin Short, Steve Martin- but Ezra, Allen, and Mike Wright.

Here's my response to your comments on the ULF Be's comparison to the standard ULF's:

1)  All three of you have spent together, being very generous at estimating this number, maybe a total of four and a half hours listening to the ULF's in my system.  I have spent hundreds of hours in front of them, along with using many different upstream components to drive them for reviewing purposes and to exactly tune my system to my personal taste. I think this vast experience, compared to your very brief exposure, would give me a more objective take on the differences between the two models then your cursorary experience.

2)  Well, my "Golden Ear Amigos"  when I went over to get a take on the Ulf Be's and compare an amplifier I have in for review to Ezra's T+A piece, I brought a pair of jumpers and my own speaker cables to use in this process and this revealed that the cables that were in the system were causing a severe malfunctioning in the imaging.  When we played a Diane Krall number that has her dead in the middle sitting behind her piano, the system, with Ezra's speaker cables split her voice in two pieces that were plastered on the side walls with no middle image.  Hum, when Ezra, Allen, and Mike came to the conclusion that there is a vast difference between the ULF models this was based on a fundamentally out of tune system when they did their listening to it.  By the way, Ezra purchased my cables, gave him a great price, and I gave him as a gift the pair of jumpers, so now his system is in order.

3)  Listening/hearing what a system or an individual component sounds like is a "subjective art" not an objective measure.  Personal taste always is part of the "take" on how anyone experiences what they are "hearing".  However, based on what I stated above, I think it's fair to state that my three Amigos are jumping to an arbitrary conclusion regarding that the Ulf Be's is a superior speaker compared to the standard Ulf's.  They are MUCH more similar in their performance, and if they are different it's very subtle, indeed.  Both speakers are beautiful music makers, if they were driven with the exact same upstream gear, in the same acoustic space I still believe they would be sonicly remarkably close together. 

   
@invictus005 I do not understand your comments and attitude toward a product and designer. I can only assume that you have heard the Ulfberts, or the DI SE? You did not like them? That is perfectly ok but your comments are wacky. I don't know how else to describe them. I have read hundreds, if not thousands of posts on Audiogon and rarely do I see this kind of "over the edge" comments about a particular speaker or designer. What gives?
Greg
Congratulations Eric on the review, and the measurements by JA which show an extremely flat frequency response and no comb filtering issues!
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Four years ago I started a project for my summer home -- to assemble a stereo system that would recreate orchestral music at concert levels. After going through a series of equipment choices, have finally ended up with Emotiva amplification, RME conversion, JRiver/REW file manipulation and DSP, AND, ESPECIALLY, Tekton speakers -- the Double Impacts.
Last night, as the new class A amp settled in, was able to have my first serious home concert. Started out with a couple of obscure symphonic favorites by Raff and Spohr, then listened to the entire Mahler 5th by Boulez and the CSO. The latter is very, very bright, clear, and loud. Plus 500 watts loud by the XPA-1 meters.
And the orchestras were there right in front of me with timbres so accurate I could easily assess the qualities/strength of the individual sections and soloists. No distortion or strain. All correctly placed in a pristine soundstage. No noise. Repeat, no noise.
Go to live concerts regularly and now recognize that my home system offers better fidelity.
SO, THANKS ERIC! Your Double Impacts, at their attractive price point, helped make this pleasure possible. This system fulfills my 4 year goal splendidly and, with a cavalier spaniel on the lap, makes each evening a special event.