@charles1dad I've got them in, just waiting for my household to wake up so I can turn it up. My friends sleep-in on the weekends, waste of a weekend if you ask me. I'm up at 6am ready to jam out. Listening at very low levels is a waste of Class A amplifier electricity consumption. Don't these fools care about the environment? 😂 I'm so just kidding.
Tekton Double Impacts
Anybody out there heard these??
I have dedicated audio room 14.5x20.5x9 ft. Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs. For the vast majority of music I love this system. The only nit pick is that it is lacking/limited in covering say below 35 hz or so. For the first time actually buzzed the panel with an organ sacd. Bummer. Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's. Really don't want to deal with that approach.
Enter the Double Impacts. Many interesting things here. Would certainly have a different set of strengths here. Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.
I've read all the threads here so we do not need to rehash that. Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers
Thanks.
I have dedicated audio room 14.5x20.5x9 ft. Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs. For the vast majority of music I love this system. The only nit pick is that it is lacking/limited in covering say below 35 hz or so. For the first time actually buzzed the panel with an organ sacd. Bummer. Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's. Really don't want to deal with that approach.
Enter the Double Impacts. Many interesting things here. Would certainly have a different set of strengths here. Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.
I've read all the threads here so we do not need to rehash that. Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers
Thanks.
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- 5692 posts total
Had been away for a few days. Just when it appeared things were slowing down and 5000 posts looked distant on the horizon--67 new posts! Wow. Much of the credit goes to Eric. As he stated long ago he is "driven to create" and now jcarcopo shares the new Encore with us. Sounds like a great speaker. Love the notion of so may tweeter never breaking a sweat. That just does so many good things for the sake of the music. Just wish it didn't weigh in at 175#! Last night was in the mood for some music of my youth, so in went Genesis/A Trick of the Tail. I was amazed for effortlessly the DI's reproduce whatever you throw at them. Better yet was the sound stage--great height and width way beyond the confines of the speaker. This from a 40 year old recording! What a bargain these speakers have been. |
@charles1dad SO...Yeah the 300b XLS definitely is the right tube for the added dynamics and control. The bass presentation is nearly as good as solid-state, but a hair more punchier and shocking on kodo drums using the Nords. I prefer the overall presentation on the tube amplifier as it's just a more emotional experience. Being a no feedback design it will never mirror what the Nords do deep down with regards to the control of the woofers, but I can live with that compromise. I find the Nords very exciting to listen to, even shocking at times, but there's a realness and organic quality to the tube amplifier that it doesn't convey. I feel like exciting and shocking wears you down and leads to fatigue after awhile, but it can easily seduce you in the short term. Life would be so much easier if I could switch back and forth to either presentation based on my mood, but at least swapping the amps in and out is relatively quick for me with how my equipment is oriented and spread out. I'm listening to Tracie Chapman's Let it Rain Album and her voice is so resolute, palpable, and dynamic that it's haunting to listen to. This MTM array is very revealing. I hear things that I never knew existed before on familiar recordings and it's a very odd experience to me because I rarely say that because it sounds so cliche. Call me cliche then because the low level detail retrieval is revelatory on the Encores. Delineation between voices and various instruments is on par with best I've heard at shows and when I was involved in high end in the past. They do the holographic effect very well. I just wish was my room was deeper so I could get further away to let the soundstage develop more appropriately. I don't mind the near-field presentation sonically, but I think there's more to gain in image depth and width that a larger room affords you by bringing the speakers further into the room and my seating position further away with more space between the speakers, but I'll get over it. Moving is not on my to do list having just dealt with heart troubles so I'm taking it easy for now. If you have questions for me regarding the Encores let me know and I'll do my best to answer them. I highly recommend them to anyone on the fence considering them. They are worth many times their price to me just in the short time I've had them. Happy Listening! |
The album, Mr Jelly Lord with Wynton Marsalis is simply amazing on the Encores. Especially Jungle Blues and New Orleans Stomp. Some of the best trumpet 🎺 playing I've ever heard. Available on Tidal: https://i.imgur.com/LxMfAxl.png |
- 5692 posts total