Ohm Walsh Micro Talls: who's actually heard 'em?


Hi,

I'd love to hear the impressions of people who've actually spent some time with these speakers to share their sense of their plusses and minuses. Mapman here on Audiogon is a big fan, and has shared lots on them, but I'm wondering who else might be familiar with them.
rebbi
Line,

Also, yes the Sunfire Signature looks like a very good fit for the OHMs and can be had at a bargain price used as well. Nice move!
John Strohbeen strikes me as a strict engineer and objectivist and when asked which amps are best to drive the Ohm Walsh 5 mentions the most powerful and high current designs. Anecdotally, he is purported to like the Carver TFM-75 (750 W/ch) which was at the time about the most powerful consumer audio amp available. He told me he likes the Crown Macro Reference (a true beast and very well reviewed at Absolute Sound years ago) which these days can be had for about $2,000. I am using the Wyred 4 Sound ST-1000 which at 550W/ch into 8 ohms and 1100W into 4 ohms drive the Walsh 5's effortlessly. There are many fine amps that will do the job right.
Mapman, everyone else... Thanks for the encouraging words. The 2000s do enough right that I want this work out. The added toe-in has smoothed out the mid-upper treble range considerably, although at the expense of a slightly less dimensional soundstage. I will continue to experiment with placement.

My speaker cables are Kimber 4TC - decent budget cables, but I'm sure not the last word in speaker cables. I will look into the DNM option, but as with the speaker bases and matching center speaker, financial constraints will put this purchase on hold. On top of that, I just dropped some coin on a locally well-liked modded DAC. I wasn't ready to upgrade my CDP, but this was an opportunity to pick it up used at a substantial savings.
"The added toe-in has smoothed out the mid-upper treble range considerably, although at the expense of a slightly less dimensional soundstage"

Hmm, I've found that more direct exposure to the directional supertweeter brightens things up if needed but also collapses the soundstage width at least somewhat. Toe-in usually means less direct exposure and a bigger/wider soundstage in my case. Room acoustics have an impact on soundstage as well, so keep on tweaking until it sounds just right....
Amplifier Update:

Well, the Bel Canto S300 arrived last week, and it has been sitting on top of my component cabinet waiting for the Manley Shrimp to arrive. The Shrimp arrived last Friday, and when I open the box, it turned out that the volume knob had detached from the unit. Federal Express must've given it a pretty good whack somewhere in transit. Anyway, the seller is being extremely helpful and has offered to pay for a trip to our local stereo repair shop to reattach the volume knob and also make sure that no undetected, internal damage took place along the way. Anyway, hopefully, I will have the system up and running before the end of the week and I will report back...