Speakers in 10-15K price range for Classical music


Well I am in the market for speakers. My music choice is primarily classical and then a little bit of everything else such as jazz and soft/alternate rock. I started with a budget of 5-7K and auditioned Maggie 3.6, Quad 989, Spendor S8e and so on, but quickly realized I couldn’t get what I was looking for in these speakers. They all did pretty well on solo or few instruments but could not nearly reproduce a symphony (Mahler’s fifth, or Tchaikovsky’s sixth or Schubert’s ninth) with any authenticity. This was about a year ago. Since then I had stretched my budget and am now looking for speakers in the 10-15K price range.

Now here’s the challenge. I didn’t like the Thiel, B&W or Wilson sound. I had liked Maggie 20.1 in the past, but can’t find any dealer nearby that carries them for an audition. Heard the Vandersteen 5a for about 10 mins and they are pretty convincing, but I need a proper audition and then it’s still beyond my price range. Now my question is what other speakers I can look at for the kind of music I like?

Thanks much in advance, for your help.

Oh, my system is Krell SACD and 400xi Integrated Amp. Will upgrade the amp eventually, but will need to wait for another year at least :)
neal1502
I will also add that the speakers I use (Sforzando JL-1s) are similar in their presentation to the Shahinians Rpfef is recommending (which I also think are excellent for classical music). I would have recommended my speaker brand earlier, except that it is not currently produced in any quantity. However, the person who makes them lives in Raleigh, and if you're interested in going there (you're not too far away, from your earlier post) he could probably demonstrate them to you. The large model he can demonstrate might be a little large for your room (mine work fine in an 18x20x10(h) room), but the designer who lives up here in NJ also makes smaller models that give up ultimate bass extension below 30Hz for a bit more speed in the mid and upper bass. The large version needs to be bi-amped (an added expense), and will at this point likely have no real resale value, but it might be useful to hear it if only because it can give you an idea of the Shahinian sound, and you might like it enough to buy it despite the lack of a name brand, dealer support network, etc. If you're interested, you can email me directly through the Audiogon email system.
I'd like to add this to my previous comment:
The reason I went to Shahinian Hawks in the first place (they replaced Alon Circes with a Thunderbolt sub and a factory supplied, custom designed x-over, not a bad system for classical) was that the Shahinians, in addition to displaying all the virtues I mentioned above, also "filled in" the enormous upper-bass/lower-midrange power and presence of live orchestral music which seems so often to be missing in reproduced music.
Admittedly, some hear this as "bloat" or excessive "warmth."
However, in a good hall, a full classical orchestra actually produces much more impactful physical power in just that area wherein which dwell the cellos, the trombones and horns, and much of what makes the violas and even the violins sound so rich and full.
The Hawks capture the force of this power without too much of a compromise in detail and clarity, for which I feel they also compensate with excellent timbral accuracy.
These remarks come from a listener who loves more than anything on earth, except life itself, the Western classical orchestra. Please consider that when trying to apply any of this to your decision.
I recently switch my speaker from B&W N802 to ProAc D38. Overall I am very impressed with sound stage and detail. Mine is still breaking in so I have a little bit of forced tweeter sound but it gets softer every day.
I think this one is very good for classical music and Jazz.
Neal,

Magnumpi205 says:

"Invest in a plane ticket to Denver and go to the RMAF."

I heartily agree.