@fsmithjack so thinking some more about your situation I think you can go a couple (or three ways)
Path I -- go all out for an "analog" as possible representation of state of the art LP playback. This would match the Verdier with the Schick and add a cartridge like a Miyajima, a Miyabi or a Koestsu -- something on that yang side of the spectrum -- think this sort of sound https://positive-feedback.com/reviews/hardware-reviews/the-murasakino-musique-analogue-sumile-mc-pho.... This path would maximize the contrast from digital and give you an alternative view into new types of material, especially classic 50s/60s jazz and classical
Path II -- try to make your analog rig "beat" your digital. This would match the Verdier with the AMG arm (or an SME, a Kuzma Four point or that sort of thing) and then with the Winfield or a Lyra or other SotA MC cart - think this sort of sound http://www.hifiplus.com/articles/kuzma-stabi-r-turntable/. This path would bring out the best in reissues or current material and allow you to tease out weaknesses in your digital rig -- but you may find yourself tending to draw negative comparisons with the digital and feel dissatisfied
There is of course a middle ground that captures the best of both but I think that that will take more $$ (and ideally involve a multi arm table setup)
Path III of course is to forget about analog at all and spend the $$ on your digital rig itself
Perhaps if you let us know what you are trying to get out of analog it would help you navigate -- the Verdier could be a good start in any of a number of dimensions but it would help to know where you are trying to get to
Path I -- go all out for an "analog" as possible representation of state of the art LP playback. This would match the Verdier with the Schick and add a cartridge like a Miyajima, a Miyabi or a Koestsu -- something on that yang side of the spectrum -- think this sort of sound https://positive-feedback.com/reviews/hardware-reviews/the-murasakino-musique-analogue-sumile-mc-pho.... This path would maximize the contrast from digital and give you an alternative view into new types of material, especially classic 50s/60s jazz and classical
Path II -- try to make your analog rig "beat" your digital. This would match the Verdier with the AMG arm (or an SME, a Kuzma Four point or that sort of thing) and then with the Winfield or a Lyra or other SotA MC cart - think this sort of sound http://www.hifiplus.com/articles/kuzma-stabi-r-turntable/. This path would bring out the best in reissues or current material and allow you to tease out weaknesses in your digital rig -- but you may find yourself tending to draw negative comparisons with the digital and feel dissatisfied
There is of course a middle ground that captures the best of both but I think that that will take more $$ (and ideally involve a multi arm table setup)
Path III of course is to forget about analog at all and spend the $$ on your digital rig itself
Perhaps if you let us know what you are trying to get out of analog it would help you navigate -- the Verdier could be a good start in any of a number of dimensions but it would help to know where you are trying to get to