The invention of measurements and perception


This is going to be pretty airy-fairy. Sorry.

Let’s talk about how measurements get invented, and how this limits us.

One of the great works of engineering, science, and data is finding signals in the noise. What matters? Why? How much?

My background is in computer science, and a little in electrical engineering. So the question of what to measure to make systems (audio and computer) "better" is always on my mind.

What’s often missing in measurements is "pleasure" or "satisfaction."

I believe in math. I believe in statistics, but I also understand the limitations. That is, we can measure an attribute, like "interrupts per second" or "inflamatory markers" or Total Harmonic Distortion plus noise (THD+N)

However, measuring them, and understanding outcome and desirability are VERY different. Those companies who can do this excel at creating business value. For instance, like it or not, Bose and Harman excel (in their own ways) at finding this out. What some one will pay for, vs. how low a distortion figure is measured is VERY different.

What is my point?

Specs are good, I like specs, I like measurements, and they keep makers from cheating (more or less) but there must be a link between measurements and listener preferences before we can attribute desirability, listener preference, or economic viability.

What is that link? That link is you. That link is you listening in a chair, free of ideas like price, reviews or buzz. That link is you listening for no one but yourself and buying what you want to listen to the most.

E
erik_squires

Erik, when I was in "mid-fi" Harmon and Bose were my favorites, but after I got into "hi-end", everything changed; meaning more objective than subjective, and I don't regret it.

I know you remember "graphic equalizers"; they were the thing in my Harmon, Bose days, but I discovered I was rearranging the music; did I want to hear the band, or be a part of the band?

Now I'm 180 degrees from what I was; I only want neutral components that will faithfully reproduce the music. What's most important is the truth of the equipment that reproduces the music; my pleasure must be derived from the music as it is, not as I want it to be.


"High falutin", reminds me of my days watchin festus haggen and jethro bodine.  Sure miss Miss Jane.
They didn't just have themes, they had opening songs which described the plot to the newly watching.

Just sit right back and you'll hear a tale,
A tale of a fateful trip
That started from this tropic port
Aboard this tiny ship ...


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A horse is a horse, of course, of course,
And no one can talk to a horse of course
That is, of course, unless the horse is the famous Mr. Ed.

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