What about diamond cantilever/stylus combo


In the so called 'MM thread' J. Carr explained the differences between cantilever materials.The advantage of aluminum cantilever being that the stylus can be pressure
fitted while by the so called 'exotic cantilevers' the stylus need to be glued in the cantilevers. There are different conditions which the cantilever need to satisfy
in order to ,uh, satisfy the preferences of an designer. J. Carr also explained why he prefers boron cantilevers. Now I own the Sony XL 88 as well as the Sony XL 88 D.
'D' referring to the cantilever and stylus made from one piece of diamond. But here is my confusion. Both carts have the same 'generator' and also the same technical specs. But 'soundwise' they are as different as an Lada and an Ferrari (by way of speaking or by exaggeration). The comparisson between French wines as well between the French chief cooks come to mind.BTW the pudding will also do. Without any technical pretenitons I would think that the only explantion for the mentioned difference should be the diamond cantilever/stylus combo. If it was possible I would gladly retip my chosen MC carts with such cantilever/ stylus combo and pay, say, $1500 for the jewel. Now if there is demand then there should be supply? The question is if there is 'interesting demand' for the possible producer(s)?

Regards,
128x128nandric
I am not making any claims against SS’s value proposition; obviously their very modest prices combined with stellar user reviews makes it a hard-to-pass choice. Especially when revamping top-class generators resold without tip for a song.

I am saying that I personally will not spend near Koetsu-level money on a cartridge terminated in a sloppy blob of glue. And I stand by my assertions of the various Koetsu variants’ sounds, because I’m not relying on memory for the comparisons I’ve done. Though I partially agree with Raul that cartridges are very indeed complex beasts, and unit-to-unit variation is the elephant in the room. However, my experience with a # of Koetsus gives me the impression that they are more consistent than most manufacturers. The VTA/SRA, channel balance (this is always ABSOLUTELY perfect, which is a big deal to me), azimuth, and alignment vs. cartridge body are literally almost dead-on, every time. If you DO plop down big money for a new Koetsu or a Koetsu rebuild, you can be sure you will get a good one. 
@jpjones3318


http://fidelisanalog.com/2018/10/20/sony-xl-88d/


Hey, this is one-piece diamond stylus-cantilever, right ?
So for @trytone  this is the best example, no glue at all 



@mulveling 

Thank you for the detailed comparison. It certainly confirms the wife's intuitions!

As to longevity - well, that's the reason I suspect that UltraSonic record cleaning pays for itself. In spades in my case.