I was set on svs, demoed the couple of svs and for music the rel t9i sounded far superior. Went to another audio store, demoed the t9i against comparable JL model. For music, rel wins for me. Have not demoed in HT. Rel just sounds tighter and more musical to me and wife agreed. Guess it's all personal preference.
subwoofer to digital music and movies
I am a bit confused on how to best play music and watch movies with my new subwoofer. My recent purchase was an Earthquake Supernova MIV 15 inch sub. My 2 channel music listening is all digital via Benchmark DAC1 used as a preamp and for home theater using my Marantz AV7005 preamp. Question is: how do I best connect the subwoofer such that it is part of the 2 channel listening experience (Benchmark) and playing movies using my Marantz preamp?
Simaudio w5 (2 channel amp)
Earthquake Cinova Grande (5 channel amp)
Von Schweikerts VR4 + center + surrounds
Benchmark DAC1
Earthquake Supernova MIV 15
Marantz AV7005
OPPO 105
Simaudio w5 (2 channel amp)
Earthquake Cinova Grande (5 channel amp)
Von Schweikerts VR4 + center + surrounds
Benchmark DAC1
Earthquake Supernova MIV 15
Marantz AV7005
OPPO 105
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- 16 posts total
I sold my earthquake sub and purchase a JL fathom f112. I am speechless as there are no words in the audiophile dictionary to define its greatness. Once the system is perfectly dialed in (which took me weeks), for the first time I have jumped off my seat watching movies. In 2 channel dedicated listening, I cannot directionally point to the subwoofer, yet it fills more than just the lower octaves. Never understood until now when folk talked about the vocals and airiness coming to life in music because of a subwoofer. It's awesome!!! |
ghulamr, nice to hear. You've made a good investment that you'll enjoy regardless of your system or speaker changes. A few years ago I was able to compare an early version F113 with my long gone Velodyne DD-18. After running JL's ARO the smaller driver was close to the 18. With the ARO off we ran the JL from the Velodyne's Room Optimization. The Velodyne Auto EQ curve for the F113 was very close to what the DD-18 looked like for that room. A small difference in the contour frequency and slope and the difference between the two became astonishingly small if at all. More of a room issue rather than the sub itself. This is an example of a Velodyne display. https://www.stereophile.com/content/jl-audio-fathom-f113-powered-subwoofer-page-2 Todays subwoofer DSP performance varies greatly. What your hearing is the value of JL Audio F series version 2. Enjoy. |
I sold REL when they first came into the US. They are still a wonderful product, but one of the most Overlooked subs on the market is Paradigm. Depending on budget, The Defiance X10 for $1k is a great value. It has Anthem Room Correction and an app that allows you to control the sub from your phone. The X Series is built in Canada and the woofer’s surround (ART - Active Ridge Technology) on the cone holds two US Patents = It increases the output +3dB (which is the equivalent output of two woofers) and cuts the distortion in half - those are the two patents. It’s incredibly musical and will pressurize your room improving the harmonics of music you listen to just like the REL does and has the kind of output required for home theater that the REL’s don’t. Check out the Defiance Subs on YouTube and at Paradigm.com |
- 16 posts total