Cube Audio Nenuphar Single Driver Speaker (10 inch) TQWT Enclosure


Cube Audio (Poland) designs single drivers and single driver speakers. 

Principals are Grzegorz Rulka and Marek Kostrzyński.

Link to the Cube Audio Nenuphar (with F10 Neo driver) speaker page: 

https://www.cubeaudio.eu/cube-audio-nenuphar

Link to 6Moons review by Srajan Ebaen (August 2018):

https://6moons.com/audioreview_articles/cubeaudio2/

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Parameters (from Cube Audio):

Power: 40 W

Efficiency: 92 dB

Frequency response: 30Hz - 18kHz ( 6db)*

Dimensions: 30 x 50 x 105 cm

Weight: 40 Kg


* Frequency response may vary and depends on room size and accompanying electronic equipment.
david_ten
I love single-driver and coaxial speakers and have owned several.  IMO whizzer cones are a compromise and cause as many problems as they try to solve.  Ex: (again IMO) the Omega 3 series sounds much better than the larger drivers.  But they won't play as loud or as low.  The Coherent line from Canada uses a different approach with it's Radian coaxial works great and doesn't suffer any "whizzer tizz." 

Admittedly I have not yet had a chance to hear a pair of Cube Audio speakers but will at the first possible opportunity.

@br3098 
You absolutely  right, whizzer is anachronistic part from  cinema era  and 
I don't now why is came to  High End. How you compare the high quality 
tweeters to whizzer cone ?
I wouldn’t make the assumption that the Cube Audio Nenuphar suffers from some "common" whizzer limitation. Based on all accounts I’ve have been exposed to the Nenuphar is in a completely different category of performance/design success. Generalizations don’t apply here.
Charles
All speaker designers know what their speakers are and are not capable of, and all speakers are a collection of compromises.  There is no perfect speaker - that's why there are so many speaker types on the market.

Whizzer cones are a useful tool to help redirect and disperse the high frequency energy from a single driver speaker.  That's fine, but ALL whizzer cones change the response from the driver and add coloration.  Maybe these guys have achieved a design and methodology that works better - I don't know because as I have stated I haven't heard these speakers yet.  But based on what I have owned and heard up to this point, I will say that I prefer my single drivers to be whizzer-less.  That's all.

Cube Audio's website (regarding the F10 Neo driver in the Nenuphar):

"Cones and whizzers"

    "Once we had the motor ready and capable to control heavier moving cones and suspensions mass, it was time to do the cones. Plenty of experience for experimenting with 8" drivers came in handy. We knew where to start with. But that was basically it. 10" is a completely different beast. For a very long time we were not satisfied with the sound. There was a time where we didn't have more bass than from 8" driver which is basically pointless. Multiple times we had a prototype cone geometry that on measurements was absolutely linear and looking amazing to the point that studio monitors could be really envy, but the sound was dull and boring. Those times were very frustrating. Sometimes we thought that it is impossible to do a really amazingly sounding 10" fullrange driver. But we never gave up and experimented more and more with even more drive every next day.

   It was definitely worth it.  The final design consist of 4 cones. One being the main cone and 3 whizzer cones. The smallest cone is responsible for highest frequency range. With only one standard whizzer we never would never be able to go up to 18 kHz with a driver that in proper cabinet reaches 30 Hz region. So adding that little whizzer, solved one of the issues that we had. But there were plenty more of them. When you add a whizzer to the cone, there is additional interference between the cone and the whizzer. The mini high frequency whizzer and the main whizzer got together really well and the sound was way better than without it. There was still a geometry issue present though. Its diameter, height, surface, geometry, stiffness, damping, coating all are a part of final sound equation.

 

   To achieve the right amount of sound pressure in desired frequency region the most important of them all is geometry. There was one geometry that gave us amazing rich, colourful midrange, but on the other hand it interfered with the main cone in such a way, that a mods were pumping up mid frequencies. Since "shouty" vocals were not desired,  we had to do something about it. Here's where the third whizzer comes into play. That is a very elegant solution to change the interference mods of the whizzer and the cone. Due to changed geometry and distance, amplitude of the modes decreased. As a result  overall sound became sweeter, richer and more natural. At that moment we knew that this is the way to go."


More information on the driver design and approach here: 

https://www.cubeaudio.eu/cube-audio-f10-neo