Best system for opera lover at $30,000


One of my friends asked me to recommend a system for her new house. She and her husband are opera lovers. Also love jazz and othe classical music. Her budget is $30,000, and do not decide to buy new items or used ones. My suggestion is Thiel CS6 + Mark Levinson 380 and 333 + Wadia 860. Please give me your advice.
fusilli
Fusilli, you say your friends are opera lovers -- I take it they're not audiophiles (good for them). Because if that's the case then the oversized speakers, dedicated listening rooms, difficult to set up equipment and sweet spot listening chairs that us audiophile obsess about are not going to interest them. Also, how was the $30,000 budget arrived at. For a stereo setup you really don't have to spend so much. Diminishing returns set in around, say, $12,000. I think the system you suggested is great, but is that what a music lover really needs. My suggestion is to go with something that is very user friendly. Try one of the Meridian systems. They're full range, reasonably sized, decent looking, sound good and are simple to use (once professionally instaled). One box for the CD player/controller and dedicated cables to the combination DAC/amplifier/speaker. Your question goes to the heart of how normal people differ from audiophiles. Most people want good sound and really don't care much about the equipment.
Hi Skull and Snoopdog; First, I sincerely appreciate your responses. I just didn't like it inferred that my stereo system was "junk" because it's mostly solid state and does not include vinyl. As I've become more confident and trusting of my own judgement and ears, I find that I have much less need of anyone's recommendations. However, I still enjoy reading Stereophile, and my mind can accomodate more than one component in any given Stereophile Class, eg the little Pass Aleph 3 going head to head with the biggest and best Levinson or Krell has to offer. According to Skull's logic, there could only be ONE "best" in each class. I disagree, audiophiles have many different tastes and preferences. Stereophile's recommended components is a GUIDE, let me repeat that, a GUIDE, and they tell us that over and over and over. I'm curious about how you guys know so much about Stereophile anyway, if you can't stand it, why do you (obviously) read it? You could better spend your time listening to music (watching TV?). No? I auditioned a Levinson 331 a year ago (Class A) and didn't like it at all-- it was sterile, lifeless, and I ended up buying a McCormack DNA-2DX that has not even been reviewed by S'phile. It's very musical, very live, very enjoyable, and somewhat "tubelike", ie smooth and sweet but with good bass control-- I've yet to hear a tube amp that had much bass control. Still, many clearly like the 331. I do have about 1000 CDs, and I enjoy by far the majority of them. As any self respecting audio hound, I also enjoy tweaking and constantly fiddling with my stereo system, and admit to being an equipment junkie. But NOBODY should accuse me of not enjoying the music. And I suspect that both of you guys have some of this in you too, or you wouldn't be on line yakking about it and critisizing my choices. Rather, you'd be listening to your 30 year old tube/analog systems and enjoying the only two musical stereo systems in the entire free world. As I stated in my previous PS post, I'm finding that I now like and trust Stereophile much less than I did.... say 5 years ago ie, since they have been taken over by big publishing. PS: until you've heard Buddy Guy live in concert, you haven't truly heard music-- I have, but it's a TOTALLY different experience than stereo system listening, which is also enjoyable. I have enjoyed this spirited exchange-- so thanks.
PS...Skull & Snoopdog, Re: live music. I have played guitars (as an amatuer), both acoustic and electric, for over 40 years, and I don't need to be told that I don't know what "live" music sounds like, or the fact that room acoustics are important.
I didn't realize this was life-philosophy corner. You guys need to calm down some. I...I've never been as much of a blowhard as I've seen on this thread, and that's saying a lot! Seems like all this isn't "about the music" anymore, it's just whatever you say it's about. Anyway, I don't doubt my ears, I still like SPHL, yes you can't have blind faith in reviewers (or strangers in an internet forum), but was any of that what Fusilli asked?