Does my setup need a phono stage?


Tt: Marantz tt15s1, pre/pro: Marantz av8802a (phono built in) Amps: Mcintosh. Speakers: ML ESL-X. Subs: REL T7i. Power: 20a Furman elite. IC’s: Tempo Electric pure silver. A ridiculous amount of other tweaks. 

I love my new ( and my first) turntable. I love putting on a record, the tactile and ceremonial feel of it. I love reading the notes and looking at the art. Don’t get me wrong, streaming MQA on my SimAudio is great, but I feel like I’m finally listening to the music and not just playing with my roon; searching for the next recoding that’s gonna really show off those synergistic blue fuses and ps audio noise harvesters. Y’all know what I mean? It’s more relaxed. It feels good. 

I’m glad I got that out. So..... here is the question, Will a dedicated phono stage make an audible improvement over the one in my Marantz 8802a, which already sounds awesome, or should I just stick with what I have? I’d like to spend less than $1200, I’d love to spend less than $700. Low noise is important to me (I spent the good part of a year chasing noise out of my system). I want the output of my cartridge (Clearaudio Virtuoso Wood) to match the gain of the phono stage, so it’ll need to be close to 48.8dB. New or used, tube or SS. I’d like suggestions, Id love to research them. And let’s be honest, y’all know that in this hobby (affliction) even if 98% of you say “just use the built in phono in your Marantz” I’m probably still gonna chase the dragon. So bring it on, and thanks in advance. 

Andrew 


andrewkelley
I tried a few 500 - 1000 dollar phono stages when my Aesthetix Io was away for longtime repair. Ended up with a used ASR mini basis mk 2 for ca 500. Nice and flexible, mostly "sins of omission" in terms of sound, compared to the others I tried. 
"need" a phono stage?

yes, an outboard unit will make noticeable improvement but, all relative to the entire setup.

I would consider a used piece. For your amount,plenty of choices. That amount is equal to half the retail of a quite good unit. I would negotiate with a seller for even less.

The suggestion of the Schiit Mani is solid. It likely would be the best $129 spent. I had one while waiting for my proper phono amp was being repaired.
I agree that an outboard phono stage can result in improvement. I also agree that you'd get the most bang for your buck shopping for a used or demo unit, given your budget.

Some models I would recommend researching are the Bryston BP-2 MM, Gold Note PH-1, Simaudio 310LP (there is also the 110LP v2), Pro-Ject Phono Box RS, and Rega Fono MM.
You will probably find it impossible to buy a stand alone phono stage that doesn't sound a lot better than what you have now. That said, you mentioned budget, and you already know the value of tweaks, so you ought to know where this is going. You're not talking about buying a phono stage. You're talking about buying a phono stage, power cord, interconnect, and fuse. At the very least. Cones. Shelf. Whatever you put the phono stage on, or put on the phono stage- or both.

Also with regard to phono stages, there is probably nothing else other than maybe speakers where there is such a huge range of not only performance but sound. What I mean is that unlike say a CDP or DAC, or two amps, all of which sound so much alike that a lot of people can't even hear any differences at all, with a phono stage they are all very different, a lot of them dramatically so. 

What this means is its really important to audition. I had to drag about a dozen of the darn things home before the Audio Research PH3SE that I could actually live with. It wasn't dark like the EAR, nor hyped and etched like the Linn. It was a lot of work but worth it because it wound up making me very happy for the next 20 years. After which time as testament to its value it was sold for $1k, from $2500 new, pretty darn good after 20 years.

The other interesting thing about phono stages, unlike other components where you can spend to infinity and always find better with phono stages you can spend to $3k and find the Herron and be done. So keep that in mind.

My first suggestion would be you spend a few hours poring over reviews. Six Moons, Stereophile, like that. Not here. "The $649 Symphonic Bombast is great!" means nothing. You need to read, and read carefully. Pay attention to what cartridge is used and what that reviewer says about that cartridge. All analog positively slays digital but some its not even funny how good it is and there is even some that can be flat out magic, and I'm not talking for a fortune either. The challenge is figuring out what and how to put it together.

Then the next suggestion is you be willing to stretch a little. With CD this isn't worth it at all, they're crap from the get-go and all come with built-in obsolescence. With analog, well my phono stage was 20 years, my turntable is now 15, etc. But then I followed my own advice and put in the hours finding the right stuff. 

So you stretch and then even with crap power cord and interconnect it will still be magic compared to what you have. Then later when you can you "upgrade" it with a much better interconnect. Power cord. By stretching with the stage you got something that really good wire will reveal even more its strengths, instead of the weaknesses you would hear with a lesser stage. Or worse, you would be tempted to follow the self-defeating advice everyone else gives and "system match" which really boils down to using wire as band-aids and make-up to correct faults in one area by adding faults in another.

Yeah. I know. But people actually do this.

Good work with the tweaks. The BQ Fuse is awesome. Keep it up.