Anthem STR or Lyngdorf TDAI 2170?


I recently moved house and went from a listening space that was pretty generous to my current setup (Cronus Magnum II + B&W 805D3s) to one where the soundstage sounds really flat and underwhelming. Because we watch a lot of movies, I’ve also been running an integrated (Rotel 1592) and using a splitter to switch between that and the Cronus depending on the source (music or movies).

It’s a lot of equipment and wires for a small space and, given how lackluster the sound is, I want to consolidate everything by leveling up to an integrated with room correction.

I’m stuck between an Anthem STR or a Lyngdorf TDAI 2170 (or 3400 if it’s leaps and bounds better than both).

Reviews and comments on both are equally impressive. Has anyone sampled both and have a POV on which I should go with?
jwh2
@ jwh2
As a music lover, in a similar situation, I have the same question, which led me to this thread. I’ve employed fine tube gear separates for decades but no longer have space nor temperament to do so. The many cables and closet-full of spare tubes in weighing me down.  :)

Once I eliminated the off-topic, self-important, pontificating bloviations about Naim, yada, yada, and "room treatments," and what you "should do", I gleaned some very useful information. Thanks for your initial post.

I am going to investigate the Lyngdorf, Anthem, Micromega, and DSPeaker.
jwh2, the Lyndorf has the best build quality but forgetting about the money the Anthem STR preamp has the best feature set and the more usable (understandable) Room correction/bass management. If My TACT died tomorrow and I could not afford a Trinnov Amethyst I would absolutely go for the Anthem STR preamp. I do not care for integrated amps as putting a super huge power supply next to a preamplifier grates on my neurons. For the money it may be the finest preamp you can buy today. 
Grats on your perches I'd be interested in knowing what you think of the Micomega and its version of room correction. 

I've heard the Anthem Pre with arc room correction and was quite impressed. I was also looking at the Anthem-Lyndorf but was hesitant on the class D and Digitizing my Analogue sources. 

So I'm still on the fence I also have a %@#$ of a room to deal with. 
Hey, so I've had the M150 in rotation now for a few months with MARS (their room correction solution) enabled and while there is definitely a noticeable improvement in sound stage, and general clarity and detail, it's by no means a game-changer. I've been feeding it phono, TV (via optical) and digital through Tidal/Roon. One thing to note as well as that Roon is still not supported which means I'm running a NUC via USB as a workaround.

Overall I'm very happy with my purchase but would have loved to be able to compare everything side by side to be sure that the Anthem or Lyngdorf was worth passing over.
I've compared Lyngdorf 2170 and Micromega M100 at home extensively, and ended up with M100. Personally, I think M100 has edge over on 2170 on warmth and the sparkle in the music I was looking for.