Blood On The Tracks MoFi UD1S

@jollytinker 
I don't think there is anything I could say to convince you that this is worth the money.  It really depends on how much you like this album and what you're willing to spend for it.  One thing that might help you justify it is that I believe it will hold its value or increase in value over time.  All of the releases so far in this series have held their value, and none of them have been as major as BOTT IMHO.  

Have it, and think it’s absolutely great. That being said, I also revisited the original (bought it new back in the day), and think the sound quality on it is very, very good. Buckets of Rain probably has the most going on, and shows that the best.
I also own the Stevie Ray Vaughan UD1S, amazing.

I just pulled out my old copy of Blood on the Tracks, inspired by this thread, and man did it sound crummy. Just dull and lifeless and muddy. Could be the LP itself I guess. So bad that I tossed it in the cull bin. 

It makes me wonder - what Dylan LPs sound the best? Putting aside artistic value, how do they rank to audiophiles? 

I’ll say that Shot of Love is a great sounding record in my system. gutsy but clear and you really hear the room. I love playing it. Also Nashville Skyline sounded good last time I heard it but that was a long time and many upgrades ago.

Probably a pressing issue of some kind Jollytinker (either a faulty early pressing or a later reissue resulting in poor sound quality) as I have a Canadian first pressing in fabulous condition that sounds very good. So much so that I'm not inclined to want to purchase the Mo-Fi.

My experience with the Mo-Fi one-steps is limited. I've heard the Abraxas and thought it was very good but not enough for me to want to replace the earlier 2008 Mo-Fi which I already own.

Was quite impressed with what Mo-Fi did on the one step of The Nightfly and found it to sound noticeably better than the Masterdisk RL I have, and although I like that record, I again don't like it enough to have popped for the Mo-Fi.

After looking for a while for a decent copy of Marvin Gaye's "What's Going On" I did spring for the One Step of that. While it sounds ok, it just does not inspire me to order any more of the One Steps but the Gaye is admittedly supposed to be one of the weakest, if not the weakest One Steps out there.

I listen to more jazz than anything at this stage; well recorded and pressed jazz from the late 50's to mid 60's, either in original or reissue form can be outrageously good sounding if you like the performances.

I picked up a pristine copy of Curtis Counce's "Counceltation", a 1972 reissue of "You Get More Bounce with Curtis Counce"  on the original Contemporary label, for $20 while on holidays in eastern Ontario a couple of weeks ago and it is every bit as much of an audiophile demonstration record as any of the One Steps.

While some of them are good (and some are inevitably better than others), they are very pricey.