I had been living a long time with Audiostatic ES300. I LOVED them until the mylar get "old" and "unstretched" (or loosing their conductive coating, never knew really what it was).
Until that moment (after 10 years or so), they really sang like real people. What a thrill to listen to the real Shirley Horn in your room... Never had a sub at that time. But a Cello Encore amplifier was enough to make them alive.
Well, in the end I tried several tricks to make them alive again, but didn't succeed by any mean. The price to buy new foils was high (around 1.500€) and then you still have to put them in which is not as easy as with ML. I decided that they could stay disassembled somewhere in my house till I would have enough money to fix them.
And I bought second-hand Apogee Centaurus Minor which I liked very much and a pair of Apogee Stage that i LOVE. Almost as transparent as the Audiostatic, but more balanced due to the strong and tight bass extension.
But I'll repair the Audiostatic some day, for sure.
Until that moment (after 10 years or so), they really sang like real people. What a thrill to listen to the real Shirley Horn in your room... Never had a sub at that time. But a Cello Encore amplifier was enough to make them alive.
Well, in the end I tried several tricks to make them alive again, but didn't succeed by any mean. The price to buy new foils was high (around 1.500€) and then you still have to put them in which is not as easy as with ML. I decided that they could stay disassembled somewhere in my house till I would have enough money to fix them.
And I bought second-hand Apogee Centaurus Minor which I liked very much and a pair of Apogee Stage that i LOVE. Almost as transparent as the Audiostatic, but more balanced due to the strong and tight bass extension.
But I'll repair the Audiostatic some day, for sure.