Tidal - why only remastered versions?


I am frustrated that when I listen via Tidal that only the remastered version of a cd can be found. Am I doing something wrong? Is this a copyright issue?  I often find the remaster to be worse than the original - particularly as digital gets better. 

Thanks. 
marklindemann
Tidal takes a feed from the music companies.   This feed will contain the entire live (ie not deleted) digital catalogue.   When a remastered album is released the record label generally deletes the pre-existing version of the album.   So at the point at which a streaming service sets up and takes its initial feed from the music companies they will be supplied the latest master.  If a streaming service had already been delivered the older master they will continue to have it on their service if a new remaster is delivered.   It is then up to the streaming service whether they continue to hold this on their service. 
It is generally not possible for a streaming service to access a digital master that existed before they existed but was superseded prior to the streaming service being created.  That is because, as I said at the top, a record label will not deliver deleted products as they are not part of the live catalogue. 

With regard to @mahler123's point re classical.  Remastered classical music sounds better as the music that is remastered in the classical domain is generally older pre 1970s repertoire which can be cleaned up and improved whilst not changing the compression or dynamic range.   @mahler123 also enquirer why it could be a bad thing to be remastered: unlike classical, pop/rock music is remastered with more 'loudness', more compression and a reduced dynamic range. This is to help the music sound comparable with modern production techniques and to sound better in the noisy environment of earbuds and car stereos. Many audiophiles consider this a backward step in sound quality, hence they seek out earlier editions of the master recording.  For CDs this is often the original master tape transfer from the 1980s. 

That's great info, @duckworp. So, even though Qobuz has less titles, they give the listener more freedom of choice by having different versions available. Maybe that's the European model?
Tidal has chosen to take only the latest releases. That's why some albums disappear from the catalogue. Maybe the payout to the artists are greater with the remasters; eg, renegotiated contracts.


Thank you for the responses. Duckworp’s response was eye opening. Tidal, it seems, is subject to the recording industry and their presently constructed libraries. So maybe I am laying the blame in the wrong place.

I guess I will continue to construct my hard drive library.

The take home message is - don’t rely on tidal as an archival source. The same with the record labels. Maybe you guys should hold on to those old cds and records. 
Low rider—another frequently recorded Conductor that was a control freak was George Szell.  Most of his recordings sound great in digital because the remastering engineers undid all the dial tweaks that Szell forced upon the original engineers.  The best case in point is his Schumann Symphony cycle.  The vinyl is unlistenable, IMO.
  Bernstein’s Columbia recordings sound so much better in digital.  His Mahler Seventh sounds like it was recorded in a broom closet on the original plan.
@marklindemann ,
You're so right, Tidal or any streaming service can't be an archival source in the sense a hard drive loaded with your own rips can be. 

I'm listening to classic rock on 
Qobuz tonight and it's hard to find a tolerable sounding remaster.