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Trans-Fi Terminator Tonearm: 2019 Update

In reading a few related posts on linear tracking tonearm, in general,  and Trans-Fi Terminator , in particular, I thought I would give a brief update of the Terminator.

I purchased the arm directly from Andrey in Moscow two months ago. From what I understand, Andrey has taken over production after Vic's retirement. What I received is the most up-to-date version of the arm with the carbon fibre wand and brass counterweights, the direct wire leads from cartridge to  phono amp, and a new brass manifold ( not evident from the main web-site). Both the wand and the new manifold are Andrey's contribution to the continued refinement of the Terminator.

Also,  please visit this site: https://darklanternforowen.wordpress.com/2017/04/15/terminator-tonearm-new-arm-mount/. This gentlemen from NZ has developed a new arm mount for the Terminator which advanced the arm's sonics even further. It was reading through the the development of this new arm mount that convinced me to order the Terminator after much prior research. I did not purchase the arm mount from NZ as it would not readily fit my Verdier La Platine, instead Andrey made a custom arm mount. It is in essence a two point support mount rather than a single point support rod that is commonly used. 

My previous arm was a SME V of 1990's vintage mounted with a ZYX airy. The Terminator is several notch above the SME V. All the accolades given to the Terminator seem justified. My main point in writing is that the new developments by Andrey, i.e. the carbon fibre wand and the newest brass manifold, seem to improve upon the Terminator even more ( see link above ). This is the news that I wanted to share with existing Terminator owners. I asked Andrey to start a blog on all the new stuff that is happening with the arm, but it seems that he is busy making 'things'!




ledoux1238
terry9
2,333 posts
 
@slaw 

About your appliances - if you do decide to move, let me know if you want to sell your compressor. I've been thinking of upgrading mine.
terry9
2,333 posts
 
@harold-not-the-barrel 
@ledoux

I have a Fozgometer, but don't use it. For me, it's both easier and more effective to set azimuth by ear. YMMV 

ledoux1238 OP
280 posts
 
@terry9   Pray tell which air bearing TT?

The Terminator seems more sensitive to all the adjustment variables, VTA, azimuth..etc,  to a degree that is previously unknown to me. I seem to be adjusting  VTA much more frequently. Different records really do sound differently without fine adjustments. It is certainly more sensitive than my previous SME V, to a point that I question if I had ever set up the SME correctly!

I also don't have a Fozgometer. But through a few simple adjustment of the twin pivot bearing at the wand, you could hear distinctly the altering of  channel separation , sound-staging, and imaging. I am in effect setting azimuth by ear. However, I would like eventually to get a hold of a Fozgometer  just to verify.

The way the pump affects the sound is something I will have more questions on in the future. But thanks for sharing!

slaw's avatar
slaw
21,450 posts
 
Regarding the Fozgometer: I found it useful with the ET arm as it’s nearly impossible get repeatable and dead on  settings because of the nature of the arm. With my Funk Firm or Vpi arms, I just set by ear.
terry9
2,333 posts
 
If I remember correctly, the Fozgometer helps to equalize channel separation. This is helpful on cartridges which do have equal channel separation, but not on higher end cartridges which might be quite different. Peter of SoundSmith writes about this, and points out that it is better to have 40dB on the left and 45 on the right than 35 and 35.

Since the Fozgometer helps to set for equal channel separation, you can seriously mis-align a higher end cartridge. At least, I did.

Bottom line is that I would not assume that the Fozgometer will give you a better azimuth setting than your ears.

My procedure is to start dead level, with three screw threads visible on each side of the wand. Then play a record which distorts badly in one channel. Reduce this distortion to almost nothing by adjusting azimuth. Play a record which distorts on the other channel. Adjust as above. Repeat.

It helps to adjust by using only the screw nearest the spindle, as this is most accessible, and it's harder to get confused. Once you've done this, you have a very fine level of adjustment which is stable and repeatable, and amenable to really fine adjustments when you get around to it. I get about 2 minutes of arc.

Good luck!
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