RMAF 2019!

I'm really surprised by the positive reactions here to the PS Audio system.  I've been saving up for a DirectStream DAC, but my time in that room caused me to rethink that.  There was something very harsh about the sound of the system.  I enjoyed their new speakers better at last year's RMAF when they were still being worked on.  I'm going to assume that there was something awry during the time I visited the PS Audio room, because the reactions here don't match up at all with my experience there.  I was really bummed.

On the plus side, the show convinced me that the amp that replaces my VTL ST-85 absolutely must be a Nelson Pass design.

Did parking really cost $30 for the day?  I was so offended by that price that I parked offsite and walked to the hotel.

The parking was a mess at the show.  One day I paid $18, another I stayed late and the gate was open $0.  The last day was $8.  The parking should be free for event attendees.  In general I thought the PS audio speakers were pretty good.  They played a track that I was very familiar with and they had great imaging, treble was good but there was a thickness or veil in the midrange that wasn't quite right.  I understand they are still tweaking the design. 

I got lucky with Parking and got out for free.  They opened the gate up Friday night.  It was a shame that I was walking to the parking lot with 2 guys that just paid $20, then the gate was open.

Honestly, since no one informed us that we were going to pay for parking, I would have hoped the damn curb on the way out.

I hope someone is listening and makes some changes for next year, otherwise I may not go either.  The new venue is an hour and half drive for me, whereas the last venue was a 45 minute drive.

Between the poor signage for rooms (some rooms were by themselves all the way down a long, quiet hallway and then around the corner.). Some rooms were difficult to find.

Also, that registration line was ludicrous.  And to have to pay $20 to park, then god knows how much to eat there, I may skip next year unless I know ahead of time that parking is free and registration won’t take more than 15 minutes, like years past.

Were any of you fortunate ones able to checkout the new Klipsch Cornwall IV?

Sanders Sound Systems by far the best sound. The only speaker I wanted to take home. The least impressive looking room.

Focal Scala Utopia my next favorite speaker.

The Sigma Acoustics/AGD room was where I spent the most time. Sounded mostly beautiful but the soundstage was enormous, as was the speaker, and occasionally I heard a little stridence in the upper treble. I couldn't decide if I liked them a lot or not at all.

Most of the other rooms were perfectly acceptable with the following exceptions:

P.S.Audio. I was expecting a lot. I didn't care for what I heard at all. Way too tilted towards the middle bass.
Alsyvox/Omega Audio. Too hard and grating for me. I was not expecting that, don't know what the problem was.
Kii. A lot of bass out of a little box. Tonally they were fine but the imaging was not. I would have blamed the room, but these are supposed to correct for room problems.
Klipsch Cornwall. Too soft at the high end, although I suspect this room was way too small for this speaker.
Troy Audio Hellena Mk II. Not bad per se, but disappointing. They are based on the Great Plains/Altec drivers. I made myself a horn speaker with Altec drivers, and I love them. The Hellenas have a horn tweeter and they sell for $80,000 with internal crossover, $120,000 with the external crossover. My speaker cost $4,000 with an active crossover (half of that was the tweeter, I could have built them for less). My speaker is better. Significantly better.

I am a rank amateur, I should not be able to cobble together a speaker that is better than most of what I heard at RMAF, but apparently I have done just that. I made the speakers just to go with my 2 watt amps. I went to this show because I have heard pretty much none of the new gear that everyone talks about here, and this was a chance to hear almost everything in one place. Except for perhaps the Sanders Model 10s, ($17,000--with a Sanders amp! Possibly the best value in the show) there was nothing that made me want to throw away my Altecs and my Sound Labs (O.K., I have two really good speakers), my Levinson ML-2s and my (handmade, the first by me) single ended triodes. The speakers are 1960 vintage for the Altecs, with a new RAAL ribbon tweeter, and 1983 vintage for the Sound Labs. The ML-2s are from 1978. The triodes range from 20 to 2, but they could have been built in 1930. I have long contended that there has been no real advancement in audio technology for a long time. I stand by that statement.